A Quote by Andrea Hirata

It took me six novels before I felt confident of my voice as a writer. — © Andrea Hirata
It took me six novels before I felt confident of my voice as a writer.
I am almost six-novels-old. It took me until the third novel to call myself a writer.
I've been doing short-form writing for a decade, and six years ago I signed with an agent, and we've been working on figuring out what my book would be. I was always so embarrassed that it took me so long to figure it out, but I think, in retrospect, I just wasn't ready to write a book six years ago. I wasn't confident enough as a writer and I wasn't coherent enough in my worldview. It just took this long for me to be a mature enough writer and be ready to do it.
The writer I feel the most affinity with - you said you felt my books are 19th century novels, I think they're 18th century novels - is Fielding, Henry Fielding, he's the guy who does it for me.
I feel very confident with the way I look. But I felt just as confident the way I looked before. I've always been confident with who I am.
Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too!
It took years of psychotherapy before I even considered dating. I lost weight, replaced my glasses with contact lenses and felt a lot more confident. But I find it really hard to hold down a relationship.
I sustained an injury by singing with the flu during the second performance of Andrea Chenier in Buenos Aires. I was very sick, with chills and sweats, but against my better judgement I let them talk me into singing. Of course I gave the performance everything I had and my voice was hurt. It was scary at first, but fortunately there was no permanent damage. I just had to be patient and wait for the voice to return. It took six weeks of physical recuperation and it took time to recover my confidence as well.
I was a 'learn by doing' writer - I never took any formal writing classes. So it took a long time to figure things out and find my voice.
Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.
It took me five or six years to write 'How Should a Person Be?' and there were many times when I felt discouraged.
I wasn't as confident and creative in the beginning as I am now, so it was all very safe. But I was building my work, and it took me a long time. For a good five or six years I was just kind of bobbing around, doing everything and anything.
After 'Where the Wild Things Are,' I guess I felt more confident as a writer.
On my first trip to India, my guru took me to an ashram in Allahabad. I felt like I was walking into a place I had been before. It felt like it was my spiritual home.
In 25 years of writing novels, I've never had anything that felt like writer's block.
'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.
And I'm a slow writer: five, six hundred words is a good day. That's the reason it took me 20 years to write those million and a half words of the Civil War.
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