A Quote by Andrea Jeremiah

Honestly, I feel the films choose me rather than I go after them! — © Andrea Jeremiah
Honestly, I feel the films choose me rather than I go after them!
I think most novelists I know, certainly including me, feel the novels choose them rather than vice-versa.
Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I ­always have to feel that I'm bunking off from something.
I choose my films in a way that helps me do justice to all of them. Also, I like doing time-consuming films like 'Baahubali'; it's sometimes more rewarding than doing lots of small films.
I was a good student. For a while, my parents did make me cope with school and films simultaneously. But after a point, this wasn't practical. I had to choose between studies and films. I chose films.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
People say I pick good films. Rather, good filmmakers choose me. The directors come to me, and I thank them for their trust in me.
After thee accumulation of too much history we have lost our innocence, we cannot easily believe in any explanations. We describe rather than feel, we touch rather than explore, we lust rather than adore.
I was waiting for good films after 'Fugly' released. My second film was important. I kept waiting, and the period strengthened me. I would rather wait and do something worthwhile than take up bad films.
I don't believe in planning for things. I just want them to fall in place, unfold as they like. I never design things. I want films to choose me; I don't choose films.
I kind of realize that I have a tendency to choose the kind of films I watched when I was a kid and would go home and pretend with my friends that we were in those movies after we saw them.
Honestly, I wish I could be a part of all the remakes of my father's films. But on second thought, I wouldn't want to be a part of any. The thought of being compared to him is unnerving. I'd rather do my films than live in the fear of living up to his standards.
Men go after me, and I choose among them.
When we love another, we never ever seek to limit or restrict them in any way whatsoever. Love says, "My will for you is your will for you." Love says, "I choose for you what you choose for you." When I say, "I choose for you what I choose for you," then I'm not loving you. I'm loving me through you, because I'm getting what I want, rather than seeing you get what you want.
If we choose the right, we will find happiness-in time. If we choose evil, there comes sorrow and regret-in time. Those effects are sure. Yet they are often delayed for a purpose. If the blessings were immediate, choosing the right would not build faith. And since sorrow is also sometimes greatly delayed, it takes faith to feel the need to seek forgiveness for sin early rather than after we feel its sorrowful and painful effects.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
There are films where the promos reveal all the punches and when you go to watch the film you feel like having seen it all. Such films don't last after a good opening.
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