A Quote by Andrea Modica

When you start photographing somebody, it's like a lustful relationship and there's all the excitement of new flesh. — © Andrea Modica
When you start photographing somebody, it's like a lustful relationship and there's all the excitement of new flesh.
I like intersections. They're the nature of New York, and there's always the possibility that when you're at one you can meet someone new. Have I ever met anyone new at an intersection? No, but I like the idea of it. I like cities because if you're stopping on the corner to wait for a light to change, there's the possibility that you and somebody else can talk. And if you and that somebody else start to talk, then you can start to argue, and if you start to argue, you might start a revolution.
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
I'm not angry; I write about angry characters. When I'm doing that, I'm happy. Just like when I'm writing about Mickey Sabbath being lustful, I'm not feeling lustful; I'm happy.
Temptation can be defined as an inducement to do evil. Three powerful forces work together to ruin a believer's character and witness: Satan, the world system, and our own lustful "flesh" tendencies.
Overcomers have a 'finishing' anointing. They don't merely start things. They keep on moving forward until they complete the task. Many people love to start new things. They like to be creative. They enjoy thinking of new projects and dreaming about new adventures. Often, these people actually start some of the new things they are planning for the future. The problem is that they seldom finish what they start.
Think excitement, talk excitement, act out excitement, and you are bound to become an excited person. Life will take on a new nest, deeper interest and greater meaning. You can think, talk and act yourself into dullness or into monotony or into unhappiness. By the same process you can build up inspiration, excitement and surging depth of joy.
When we believe we have all the answers, we are not open to mystery. To begin a mystical journey, you have to start with a sense of wonder, of not knowing where you are going or how you will travel. The initial phase of alchemy is called the nigredo-it's the phase of darkness, when it's "blacker than black." You feel this when you start something new-go off to college, start a new job, travel to a foreign land, or end a relationship that is not working.
We are going to have bodies like Jesus did after He was resurrected. Each of us is going to have a new eternal, glorified body. It will actually be constructed as we are now, of flesh and bones - but eternal flesh and bones, incorruptible, immortal flesh and bones. It's going to be material, natural, recognizable, seeable and feelable.
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
Being a woman is just a marvelous plus in photographing. Men like to be photographed by women, it becomes flirtatious and fun, and women feel less as if they're expected to be in a relationship.
I like not knowing too much about somebody I'm photographing, because the process also becomes an experience for me to learn about .
I couldn't be in a relationship and behave like somebody else or pretend I felt something I didn't feel. And that includes saying things I thought might jeopardize the relationship.
I have a shoebox: for ideas, fragments, snatches of conversation I hear. I scrawl it down, throw the scraps in the box. Every time I start a new script I start picking through the pieces. Suddenly you get five pieces together and think: this is almost the first Act of a movie, if I flesh it out a bit.
The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.
Nothing disciplines the inordinate desires of the flesh like service, and nothing transforms the desires of the flesh like serving in hiddenness. The flesh whines against service but screams against hidden service. It strains and pulls for honour and recognition. It will devise subtle, religiously acceptable means to call attention to the service rendered. If we stoutly refuse to give in to this lust of the flesh, we crucify it. Every time we crucify the flesh, we crucify our pride and arrogance.
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