A Quote by Andrea Radrizzani
I hear a lot of rumours about me selling the club or leaving, absolutely no way.
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I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.
Leaving Liverpool was the toughest decision I had to make in football because I was in an exemplary club, a proper football club, with a lovely and sharing stadium that meant a lot of things to me. The fans are the best in the world, no doubt about that, and I was comfortable there.
There are only two ways for me to leave Chelsea. One way is in June 2010 when I finish my contract and if the club doesn’t give me a new one. It is the end of my contract and I am out. The second way is for Chelsea to sack me. The way of the manager leaving the club by deciding to walk away, no chance! I will never do this to Chelsea supporters.
I would have been happy to play in Holland for a big club, but I can see the point of selling me to an English club. It's very simple: Dutch clubs are not going to spend £16m on a player like me.
Rumours affect any club where things are going badly.
A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
I focus all the way on the club. That's why my music sounds the way it does, with the 808, heavy kicks. Every aspect of it is about the club, so I don't really care about the person who's listening on an iPod.
The first club that reopened in New Orleans was Caesar's, and they called me immediately and said let's do a regular night with you here. So we started FEMA Fridays. It was the only club open in the city, and a lot of people had a lot of money from Katrina, the checks and stuff, so the joy inside that club - I don't think that'll ever come back.
A lot of people talk about clubs but if something happens the club will know and will inform me. If one club wants to buy me we will have to sit together to take the decision.
Liverpool is a family, it is not a club, you don't come in and out of this club without it leaving a mark.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
I have no regrets about buying Fulham. Absolutely not. This is a perfect club for what we wanted to do. It's absolutely historic, small, and has just the perfect fan base.
The Alzheimer's Association in the United States, founded by Jerome Stone, they found me because they had heard rumours that my mom was diagnosed. Jerry said, 'We're a small family group, and we would like to know if you'd like to join us and to spread the word about this disease.' I said, 'Absolutely.'
I loved the Swansea fans but towards the end there were things being written about me and a lot of rumours when nobody actually knew the full extent of what was going on behind the cenes. I'll leave it at that.
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