A Quote by Andrea Riseborough
I really enjoy picking up the physical rhythm of somebody else, speaking with their voice. I've never done in anything in my own voice, and I can't imagine what that would be like. It would be weird, I guess.
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I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.
All writers are mimics, and I'm not interested in picking up somebody else's style or voice.
I feel like the point of being an artist is to have your own voice: to do it the way you would do it and not the way anyone else would do it. If you're a strong enough writer, then that voice is going to come out all the time, and I can't stop it from coming out, no matter what I do.
I sing the best when I'm really in my voice. It's kind of like I'm meditating but I sort of imagine my voice as a physical thing. I see colours, I feel it moving out of me and I try to tap into images that I was tapping into when I was writing the song.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
It's one point to build a singing voice, but giving someone his or her own voice back is something else all together different. Imagine not being able to communicate with your voice and then having it back! It's truly a mind-blowing experience to hear that happen.
A lot of [erotica] was really interestingly disguised in the 19th-century as medical journals. So it would be in the voice of a learned doctor talking about somebody's pathologies. And then it would get really detailed. And then it would get really sweaty. And then you're like, "This isn't a doctor! I would like to see a degree, Mister!"
This was my voice, but perfectly wise, calm and compassionate. This was what my voice would sound like if I’d only ever experienced love and certainty in my life. How can I describe the warmth of affection in that voice, as it gave me the answer that would forever seal my faith in the divine?
How you use your voice is really important, and it's really driven by context more than anything else, and your tone of voice will immediately begin to impact somebody's mood and immediately how their brain functions.
I personally didn't realize people would enjoy my voice, I guess. I'm happy that they do, but I didn't know what to expect.
When Marvel put together Ultimate Spider-Man and someone came up with the idea of having Principal Coulson, they said, "Do you want to do the voice?" I thought, "I have to do the voice!" Because I have a daughter and we watch some cartoons, I couldn't bear the idea of tuning in and hearing somebody else's voice.
It's hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
I guess when I really think about it, God's voice sounds a lot like my voice.
You would have thought that as you got older the voice would tend to deteriorate in some ways, but I always look at somebody like Tony Bennett, who is my senior, and still can hit those high notes and still can belt it out as good as he ever did. So it must be something about the voice that's unlike the rest of the muscles in your body.
When you recognize that there is a voice in your head that pretends to be you and never stops speaking, you are awakening out of your unconscious identification with the stream of thinking. When you notice that voice, you realize that who you are is not the voice - the thinker - but the one who is aware of it.
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