A Quote by Andrea Riseborough

When you're playing a romantic version of a real person, you're playing a version of the truth. — © Andrea Riseborough
When you're playing a romantic version of a real person, you're playing a version of the truth.
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
I had quite a bit of experience doing things that had been adapted from a book and playing real-life characters and playing the younger version of actors. That's kind of my thing.
I do love playing aristocrats, probably because it's so against type. So much more interesting than playing a version of yourself.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
What actor doesn't want to walk around a set and be called 'Mr. President?' Playing POTUS is a kind of rite of passage among American actors - our version of playing Hamlet.
You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
I think anytime there's a big show on a network, people are also looking for what's the indie, stepchild version of this, the real DIY version?
I loved playing Walternate because he was completely the same character, version 1985, and then it developed in such a different way, physically and mentally. So, to be able to play that, in the same television series, as playing the other ones was a fantastic gift for me.
I've always approached screenplays and so forth with, "How would it really happen?" Not "What's the movie version?" but "What's the real-life version?" Then I just follow my nose.
For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven’t got a long-term plan, then you are merely a passing phase, the latest trend, yesterday’s event.
There will always be a replacement coming along very soon - a newer version, a crazier version, a louder version. So if you haven't got a long-term plan, then you are merely a passing phase, the latest trend, yesterday's event.
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