A Quote by Andrea Riseborough

Women are really complex and totally enigmatic. Humans are really complex, but in film, we've only ever seen that with men. We've seen antiheroes time and again with male characters.
It's a different thing with cable TV. You don't have to have your characters be lovely again by the end of the episode. And in this era of the male antiheroes on cable TV, you don't even need to make them likable; you just need to make them compelling. As opposed to film, where it's still those basic tropes of good versus evil. But for women, I don't think that has been widely seen yet.
The last scene in 'Moonlight,' that's one of the most extraordinary things I've ever seen on film in my lifetime. You see two men showing such tenderness towards each other. And it's bold; it's deep. It's complex. It's profound.
The template that 'Infinity War' is following is a very different, complex template because you've never seen so many characters in one film. It obviously has to be a multi-perspective film.
It is such a complex matter we live within, it is impossible to track logic and decision making really, so therefore each choice can actually only be seen as coincidence.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
Have you ever seen a really good chocolate dish & women? It affects women not like men. It’s incredible.
We want to be seen for who we really are, and each person has his own complex story and reasons for doing what they do.
The internet is the most complex system that humans have ever invented. And with every internet enabled operation that we've seen so far, all of these offensive operations, we see knock on effects. We see unintended consequences.
'Blue is the Warmest Colour' - I'm not a lesbian, I'm not French, I'm not a woman, but I saw so much of myself in those women and in those characters. I saw different parts of myself than I ever would've seen if I hadn't seen that film.
I really enjoy 'Mad Men,' but I'm hugely into 'Homeland.' The characters are very well drawn and complex.
I have seen war. I have seen war on land and sea. I have seen blood running from the wounded. I have seen men coughing out their gassed lungs. I have seen the dead in the mud. I have seen cities destroyed. I have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. I have seen children starving. I have seen the agony of mothers and wives. I hate war.
I've seen men and women who were fit for combat that I wanted to fight beside, and men and women who I really wouldn't want to go back into combat with. It really doesn't have anything to do with gender.
Seeing yourself reflected on screen is a very important part of being human. It makes us feel less alone, it make us feel more connected to humanity. Women, gay men, and trans people for a long time have not seen themselves represented, so being able to show the complexities that we all have - just as complex stories as a heterosexual white male - is crucial for us to feel more human and have other people see us as human beings.
The cool thing about Kyle Killen, he writes really defined characters. I was a big fan of 'Awake' and also 'Lone Star.' I just think that he's a really, really special writer, and complex and deep, and a really smart dude.
A lot of the time, unfortunately for women, there's not a lot of complex roles. I don't mean complex like tortured or whatever. I mean complex like there's more going on with them than, 'I'm a mom.'
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