A Quote by Andrea Seigel
I have next to no interest in makeup as a thing in and of itself, and nothing stresses me out like Sephora's salespeople.
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The best perk of my job is getting to take products home. I mean, my bathroom looks like Sephora; like a clean, smaller Sephora.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
To be honest with you, my mom never really wore makeup when I was growing up. She wasn't really my makeup muse. It was my grandma. The biggest thing that she taught me is that it doesn't matter how your makeup comes out, it's really just how you wear it. If you carry it like you killed your makeup, then that's all that matters.
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
I did 'Slither,' so I've done seven hours in the makeup chair. So two hours for zombie makeup is like nothing. That's a walk in the park for me. When you do seven-hour makeup and then eight hours of work, you're thinking, 'Oh God, what did this do to me?' You're under that rubber forever. It's crazy.
Nothing is like being out there and playing and performing and winning - nothing. But to have an interest in the player? The nerves and everything that goes with it? Seeing what he's learned and how he's done it? That's the second best thing to playing. I think.
I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.
I prefer wearing no makeup anyway, because I like the contrast when you go out at night and you look different. I actually feel more confident with less makeup than I do with makeup on.
There's nothing, today, that excites me, or that makes me think I would like to be back in AFL circles. I have no interest. No interest whatsoever. My love for the game died inside of me in those final years of me playing.
When you have a cute outfit on and your makeup looks amazing, the first thing people comment on is your image. When you don't wear makeup, you hear things like, 'Oh wow, you look tired,' or, 'You're so brave for not wearing makeup!'
I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out.
I think I was about 14 when I did my first makeup. I was like, 'Wow, I really like this what do you call it? Makeup thing?'
You can tell my mood by my makeup. When I'm depressed, it's really dark. Then I'll do super-dumb happy makeup. Like, I'll do one eye electric blue and one smoky brown, and you won't even figure it out until you're talking to me - then you're like, 'Whoa!'
If you ask me, I think knowledge is power and and being able to do your own makeup, or someone else's makeup, is power in itself.
At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'
I've always taught that a poor economy is the best opportunity for salespeople because the naysayers and grumblers have already given up, leaving more territory, more opportunities to be successful than in a good economy when virtually all salespeople are out there, giving it their best.
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