A Quote by Andrea Seigel
The second book was probably the result of the relationship I was in at the time. We were only going to be compatible for a minute, and I think we both knew it. It's like how you can be a different person on vacation, but you know all along you're just visiting that mindset.
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I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
How little we know of what there is to know. I wish that I were going to live a long time instead of going to die today because I have learned much about life in these four days; more, I think than in all other time. I'd like to be an old man to really know. I wonder if you keep on learning or if there is only a certain amount each man can understand. I thought I knew so many things that I know nothing of. I wish there was more time.
Publishing is the only industry I can think of where most of the employees spend most of their time stating with great self-assurance that they don't know how to do their jobs. "I don't know how to sell this," they explain, frowning, as though it's your fault. "I don't know how to package this. I don't know what the market is for this book. I don't know how we're going to draw attention to this." In most occupations, people try to hide their incompetence; only in publishing is it flaunted as though it were the chief qualification for the job.
My second husband and I were going through a bitter divorce, and I didn't have the money for a fancy-pants attorney. I didn't know how to fight, so I'd lie awake at night and think of ways to kill him. But I knew I'd get caught, so I decided to put it in a book and get paid for it! I always think it's odd that a whole career came out of that homicidal impulse.
You would think with me living in Los Angeles I would go to the beach all the time, but we don't. It's the same as visiting the Statue of Liberty. If you don't live in N.Y.C., it's the first stop on your family vacation, but if you live there, you only go if you have relatives visiting from out of town!
We have just had the most amazing time. Every now and then, we'll come across a review where the person didn't like it and we're like, "What? Really? How could you not like it?" All of us like it so much, and we have such a great time at work. We've just been really blessed, and we're all standing here going, "Wait a minute, how did this happen?" It's been awesome.
So why did I think about her every second? Why was I so much happier the minute I saw her? I felt like maybe I knew the answer, but how could I be sure? I didn't know, and I didn't have any way to find out. Guys don't talk about stuff like that. We just lie under the pile of bricks.
Then you don't know. You can't know what it feels like to meet a person and suddenly know without a doubt that the whole purpose of your life so far-every choice you made, every twist of fate along the way-was just a journey to get you to that person. My life started when I met Clea. Every minute without her is just killing time until we can be together again.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process. And how does that happen? Well, it happens when I know more than you do, and when I know that I know more than you do, and I'm holding it back from you. So that I can then manipulate you at the end. You know, you think about like in a dating situation how terrible that would be, it's the same thing with a book.
I remember as a young child, during one of my frequent trips to the local library, spending hours looking at book after book trying in vain to find one that had my name on it. Because there were so many books in the library, with so many different names on them, I’d assumed that one of them — somewhere — had to be mine. I didn’t understand at the time that a person’s name appears on a book because he or she wrote it. Now that I’m twenty-six I know better. If I were ever going to find my book one day, I was going to have to write it.
I think by that time I knew where Chewie was going, and he left me to do what was called for, because the character had been well established. You know, it was like putting on a second skin by that time.
Being in relationship is not living in a fantasyland and don`t think that everything's going to be perfect all the time. You will go through phases where you're just not getting along. You're not communicating well. That's going to happen, and it's going to feel impossible to you sometimes. It might not even make sense to you sometimes. Arguments are normal. You have to be patient and sit through that and remember that this is a part of human communication and interaction. You're going to have these conflicts with anyone. It's not necessarily just that person.
The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.
Life is very tough, you know. You sit at a dinner party and talk to the person on your right or your left, you're going to hear something terribly sad, or horrible, or awful. And you just laugh at everything. I think it was Winston Churchill who said something like, any time you get someone to laugh, you're giving them a little vacation. It's so true. You laugh for one second, you're happy. I find in negotiations, everybody's sitting around looking so serious, I say something funny and it breaks the ice. And it's like, now we can get through this.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
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