A Quote by Andrea Seigel
As evidenced during my failed audition, I'm a thorough introvert who would completely hate living in a 'Real World' house. I would have taken my Ikea comforter to the confessional room and never come out.
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I hate the confessional. I love leaving the confessional. I hate going to the confessional. I would be a mess without it.
At this point, I've really failed at a lot of things. It's nice to be able to say that, in a way. I've failed at music. I've failed at dance. And acting - there have been times when I went out and read lines to audition for acting parts. I believe that if anybody wrangled together those audition tapes, it would be pretty hysterically funny.
The police [in South Africa] would check in on you randomly. And they would come into the house, and they would look through that registry and look at all the names of all the people who were registered to be living in the house. And they would, you know, cross-reference that with the actual inhabitants of the dwelling.I was never on that piece of paper. I was always hidden. My grandmother would hide me somewhere if the police did show up. And it was a constant game of hide and seek.
IKEA is not completely perfect. It irritates me to hear it said that IKEA is the best company in the world. We are going the right way to becoming it but we are not there yet.
When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.
The question you raise, 'How can such a formulation lead to computations?' doesn't bother me in the least! Throughout my whole life as a mathematician, the possibility of making explicit, elegant computations has always come out by itself, as a byproduct of a thorough conceptual understanding of what was going on. Thus I never bothered about whether what would come out would be suitable for this or that, but just tried to understand - and it always turned out that understanding was all that mattered.
I never doubted that I would work, and every time I went to an audition, I went into the room with the knowledge that I was going to get the part. Ninety-nine times out of 100, I didn't.
A lot of times I would go into a room and audition for whatever sitcom it was and they would expect me to do sort of what my dad was doing and I am not him so they would be disappointed and I would feel nervous and not know exactly how to do it.
I got into music by happenchance and luck and wearing a t-shirt with "I hate Pink Floyd" on it. The irony has never failed to amuse me ever since because I didn't hate Pink Floyd at all! And yet you have an entire range of people out there believing that the best thing you can do in life is to hate Pink Floyd. Come on, It's because it's the world I live in!
'Quick Change' was my first real movie. It was an interesting audition process because there were no lines in the script. Bill Murray's character would say something, and Geena Davis and Randy Quaid would say something, and then it would just say, 'The cabbie speaks.' How do you audition for that?
I just would never go audition, and yet I was in very visible places where people would come looking for actors. I say I'm lazy, though I'm sure if I were in therapy for a lot of years, it would turn out to be a lot more than laziness. After awhile, it was, like, too embarrassing for me not to go on auditions. I had to be humiliated into it.
When we were in the Munich house, sometimes [Adolf Hitler] would call the house line after one of their fights. They would talk and then Eva [Braun] would emerge from her room and behave normally.
If you had a front row seat at the Renaissance, you would have seen Machiavelli come by plotting, and you would have seen murders in the streets, you would have seen violence, you have seen people burning books and it would have looked like the world was a horrible place, but that's where all these incredible stuff we're still living with comes out of.
My earliest memory of architecture, I was perhaps 6 or 7 years old, was of my aunt building a house in mosul in the north of iraq. The architect was a close friend of my father's and he used to come to our house with the drawings and models. I remember seeing the model in our living room and I think it triggered something, as I was completely intrigued by it.
Back when I was very small, and we had this bathroom with these sort of paneled mirrors on the side. And I would just sit there - because it was the only warm room in the house. And I would - if I was in a bad place - I would go to my imaginary place with these mirrors, and create this entire other world to sort of help level out what I was dealing with.
I have faith that if we caught hold of God's living candle on that truth and went out into the world-I don't care [what vocation] -just out in the world being true to the vision, we would not need to defend the cause of Jesus Christ. People would come and ask; "Where have you found the radiance that I sense in your eyes and in your face? How come you don't get carried away with the world?" And we would answer that the work of salvation is the glorious work of Jesus Christ. But it is also the glorious work of the uncovering and recovering of your own latent divinity.
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