A Quote by Andrea Seigel

Ultimately, criticism that 'The Real World' has devolved into a lesser enterprise comes from the viewers who came of age alongside it, not the teens of the moment that MTV has always existed for.
Old-school viewers remain adamant that 'The Real World' has deteriorated, as if the original enterprise were some pristine experiment that got sullied as the conditions in the lab got sloppier.
I came into reality television with MTV's show 'The Real World,' specifically the 1994 season set in San Francisco. I was glued to the Puck and Pedro drama.
I love MTV. I watched 'Beavis and Butthead,' 'Wayne's World,' 'Yo! MTV Raps.' And they used to have music videos on there. When I got the chance to be on MTV, I took the first opportunity.
I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.
MTV Awards are fun - it's MTV! You never know what's going to happen. It's a slice of pop culture in the moment, and you can't take it too seriously.
I gravitated toward being a funny guy. I liked the radio comedians. I lived in the Golden Age of radio, and the Golden Age of television came along when I was still in my early teens.
I always think there's our age in ID terms but then there's our real age because for me the real age is not the age on your ID. That's just a date when you were born. The real age, the real ID is your body, your brain, your attitude.
New York's niche is content, and content is becoming more valuable. Just think about what is more valuable: MTV or the cable system that you use to get MTV? Howard Stern or the radio station you use to listen to him? Ultimately, technology becomes a commodity, and content - real, true branded content - becomes more valuable.
In my teens I was interested in photography. Then I decided that I should learn something about the world of commerce. And I came to America at age 17 to escape Europe. I went to NYU - nothing better than being 17 years old and coming to New York.
I've always been a multi-passionate woman, so my passion for business existed right alongside my passion for dance.
In the private sector, there is always innovation. There's always change. There's always improving productivity, and if you're not leading that, you'll be passed and ultimately go out of business. So there's an urgency to constantly update and renew and to rethink your enterprise.
I'm very fortunate in the things I've done and I've worked really hard at them. It's always ultimately up to the viewers whether they like it or not.
Life and death were so unpredictable. So close to each other. We existed moment to moment, never knowing who would be the next to leave this world.
I wouldn't say that I was ever a fan of MTV. I was a guy on MTV. I don't think I was ever in the demographic of people who watch MTV. I never really watched MTV, so I'm definitely not a fan of 'Jersey Shore' or anything.
I was on MTV's 'Real World' at the time when 'Queer Eye' came out. I remember, the first time I won an award, I got the award, and they were like, 'It's a tie! With 'Queer Eye!'' I never thought that I would one day follow in their footsteps.
Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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