A Quote by Andrea Seigel
For me, one of the most beautiful and rewarding aspects of serial reality TV is that characters can move freely along a spectrum of heroism and villainy.
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The only difference in reality TV and the other TV is that the scriptwriters for reality TV are not union. I have been on reality TV shows. Believe me, my friends: It's not just improv and whatever happens when the cameras are rolling.
Most travel disasters turn into something else: a story of survival, a story of bravery, of heroism, sometimes villainy. You just don't know when it starts where it's going to go because they are unexpected events.
yet love can move people to act in unexpected ways and move them to overcome the most daunting obstacles with startling heroism
The ability of Americans to toss off oppressive characters is the most rewarding aspect, to me, of U.S. history.
The most rewarding aspect of parenting is seeing my children be authentic. The most rewarding thing for me is to see them do anything that they're proud of.
We are the planet, fully as much as water, earth, fire and air are the planet, and if the planet survives, it will only be through heroism. Not occasional heroism, a remarkable instance of it here and there, but constant heroism, systematic heroism, heroism as governing principle.
The most interesting heroes have a bit of villainy to them, and the most interesting villains have a certain bit of heroism in them. I think (Alan Shore) intends to do the right thing, but his view of the world is very different so, to get to the right place, he sometimes takes a path that goes through a very dark forest.
Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing.
Naturally, people's image is of a performer, but the reality of it is the writing for me has always been the most important thing and the most rewarding thing.
One of the most rewarding aspects of my research has been the opportunity to study the potential applications of a new catalyst.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
The most rewarding part of writing for TV is - a year ago I would have said it's just watching it on TV, it's just having been done with it and then collecting all that energy.
I feel like a lot of characters on TV don't have the time to tell that many aspects of a character's story and personality.
I think, when I was younger, I believed in - and yearned for - conventional beauty. I thought there was a spectrum from ugly to beautiful, and that you could objectively plot everyone you saw along it.
I'll never forget, Christine Woods came up to me on set and she looked at me so seriously and held my hand, and she's like, "Kether, look at me. In real life, we are beautiful, beautiful women. No one thinks we're fat. In TV, we are TV fat and we just have to get used to it. Don't ever take it personally. We're TV fat. End of story".
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
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