A Quote by Andrei Codrescu

These are the poems of a traveler and a lover who feels both the terror of time passing and the consolation of eternity. From such tension spring lovely poetic objects, ready for intelligent use.
Flower god, god of the spring, beautiful, bountiful, Cold-dyed shield in the sky, lover of versicles, Here I wander in April Cold, grey-headed; and still to my Heart, Spring comes with a bound, Spring the deliverer, Spring, song-leader in woods, chorally resonant; Spring, flower-planter in meadows, Child-conductor in willowy Fields deep dotted with bloom, daisies and crocuses: Here that child from his heart drinks of eternity: O child, happy are children!
These are crystalline - oftentimes incandescent - translations of Juarroz's powerful metaphysical poems where eternity and silence jut up against a world where “writing infects the landscape” and there are “more letters than leaves” - The kind of match one hopes for where both the translator and the poet are in luck; new poems which don't leak and yet old poems in which the original passion shines.
This day is not a sieve, losing time. With each passing minute, each passing year, there's this deepening awareness that I am filling, gaining time. We stand on the brink of eternity.
Eternity isn't some later time. Eternity isn't a long time. Eternity has nothing to do with time. Eternity is that dimension of here and now which thinking and time cuts out. This is it. And if you don't get it here, you won't get it anywhere. And the experience of eternity right here and now is the function of life.
Poetic justice, poetic justice.. if I told you that a flower bloom in a dark room would you trust it. I mean I write poems in these songs.
Kindness. The only possible method when dealing with a living creature. You'll get nowhere with an animal if you use terror, no matter what its level of development may be. That I have maintained, do maintain and always will maintain. People who think you can use terror are quite wrong. No, no, terror is useless, whatever its colour – white, red or even brown! Terror completely paralyses the nervous system.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
I like old people when they have aged well. And old houses with an accumulation of sweet honest living in them are good. And the timelessness that only the passing of Time itself can give to objects both inside and outside the spirit is a continuing reassurance.
When you are starting away, leaving your more familiar fields, for a little adventure like a walk, you look at every object with a traveler's, or at least with historical, eyes; you pause on the first bridge, where an ordinary walk hardly commences, and begin to observe and moralize like a traveler. It is worth the while to see your native village thus sometimes, as if you were a traveler passing through it, commenting on your neighbors as strangers.
The air's warm with hopeful hints of spring in it. Spring would be a good time for an uprising, I think. Everyone feels less vulnerable once winter passes.
It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass, In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding; Sweet lovers love the spring.
If eternity had a season, it would be midsummer. Autumn, winter, spring are all change and passage, but at the height of summer the year stands poised. It's only a passing moment, but even as it passes the heart knows it cannot change.
One can take eternity and time to be predicates of God since, being the Ancient of Days, He is the cause of all time and eternity. Yet He is before time and beyond time and is the source of the variety of time and of the seasons. Or again, He precedes the eternal ages, for He is there before eternity and above eternity, and 'His kingdom is an everlasting kingdom' (Ps. 145:13). Amen.
For winter's rains and ruins are over, And all the season of snows and sins; The days dividing lover and lover, The light that loses, the night that wins; And time remembered isgrief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins.
The pilgrim is a poetic traveler, one who believes that there is poetry on the road, at the heart of everything.
Pleasure and pain at once register upon the lover, inasmuch as the desirability of the love object derives, in part, from its lack. To whom is it lacking? To the lover. If we follow the trajectory of eros we consistently find it tracing out this same route: it moves out from the lover toward the beloved, then ricochets back to the lover himself and the hole in him, unnoticed before. Who is the subject of most love poems? Not the beloved. It is that hole.
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