A Quote by Andres Serrano
In my work, I explore my own Catholic obsessions.
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SF is an opportunity to have an intense relationship with your own imagination. It's a kind of drive-by poetry, trashy and addictive; it's fun. After that, for me, it's an opportunity to explore that kind of imaginative artifact from inside, and use a little camped-up contemporary science as a way of generating new metaphors around my typical obsessions.
I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
An artist’s work is almost entirely inquiry based and self-regulated. It is a fragile process of teaching oneself to work alone, and focusing on how to hone your quirky creative obsessions so that they eventually become so oddly specific that they can only be your own.
I was really inspired by my own experience, and specifically my own identity crisis but larger than that, I also wanted to explore the trend of reverse immigration, of the immigrant returning home after being in a host country or an adopted home for 20 years, and finding themselves at various levels of discord with the home culture. I wanted to explore people building lives across multiple geographies. I think that's, something that we're experiencing more and more as travel becomes easier, as people are traveling more for work. People can work from anywhere.
I went to a Catholic University and there's something about being a Catholic-American. You know, St. Patrick's Day is, I'm Irish-Catholic. There's alcoholism in my family. It's like I've got to be Catholic, right?
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
If there is anyone who's living the work of the New Testament, it's the nuns of the Catholic church and not the Catholic hierarchy.
I'm a practicing Roman Catholic, but you don't have to be Catholic, you don't have to be a Christian to work for Blackwater.
It's fun to explore behavior that you can't explore in your own life, so you fool around with it in acting.
Presumably all obsessions are extreme metaphors waiting to be born. That whole private mythology, in which I believe totally, is a collaboration between one's conscious mind and those obsessions that, one by one, present themselves as stepping-stones.
When working on your own, you can make a choice and find out six months later that you made a bad choice. But when you work with people you trust, who understand your obsessions, you can take risks.
. . . All artists’ work is autobiographical. Any writer’s work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them.
I grew up in a deeply Catholic home. Our parents always encouraged us to march to our own drums, though, so some of us are still Catholic and some are not. That's always going to be a part of me though; little bits of it trickle into my work. Whether it's an embrace or a rejection, I'm not always sure, but I can't avoid it.
Obsessions of the Orient, of the desert, of its ardor and its emptiness, of the shadows of palm gardens, of the garments white and wide - obsessions where the senses go berserk, where nerves are exasperated, and which made me, at the onset of each night, believe sleep impossible.
I come from a deeply Catholic family. My husband and I were married in a Catholic church; we decided to put our kids into Catholic school.
I was raised a Catholic on both sides of the family. I went to a Catholic grade school and thought everybody in the country was Catholic, because that's all I ever was associated with.
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