A Quote by Andrew Adonis, Baron Adonis

London's night economy is huge and it couldn't function without London's night buses. — © Andrew Adonis, Baron Adonis
London's night economy is huge and it couldn't function without London's night buses.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
Night buses serve not only the leisure economy- pubs, bars, clubs, theatres and concerts- but also hundreds of thousands of night workers.
Young man," he said, "understand this: there are two Londons. There's London Above?that's where you lived?and then there's London Below?the Underside?inhabited by the people who fell through the cracks in the world. Now you're one of them. Good night.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
I have a huge affinity with London, and I have a lot of relatives here - now and before I was born. I pretty much look at London as the centre of the universe.
As an actress and comedienne, I'm a huge fan of he theatre and the Tricycle in Kilburn is my favourite in London. I dragged my kids to a performance of 'Twelfth Night' there, where they handed out pizza. Who knew that all it takes to get children interested in Shakespeare is a snack?
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London, or a swinging London.
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
It's more about when you come back from being out somewhere; in a minicab or a night bus, or with someone, or walking home across London late at night, dreamlike, and you've still got the music kind of echoing in you, in your bloodstream, but with real life trying to get in the way. I want it to be like a little sanctuary. It's like that 24-hour stand selling tea on a rainy night, glowing in the dark. It's pretty simple.
I've spent lots of time in London, I studied in London, I like London. It's just not my home.
It was a night when London was ringed and stabbed with fire.
I could not cherish London and not value Jewish London. The contribution of Jews to London is immense - politically, economically, culturally, intellectually, philanthropically, artistically.
As Magnus turned to walk away from the church, he heard the sound of violin music carried to him on the cloudy London air, and remembered another night, a night of ghosts and snow and Christmas music, and Will standing on the steps of the Institute, watching Magnus as he went.
One thing about London is that when you step out into the night, it swallows you.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
When we arrived in London, my sadness at leaving Paris was turned into despair. After my long stay in the French capital, huge, ponderous, massive London seemed to me as ugly a thing as man could contrive to make.
This site uses cookies to ensure you get the best experience. More info...
Got it!