A Quote by Andrew Bird

The way I work, I'm not a confessional singer-songwriter. — © Andrew Bird
The way I work, I'm not a confessional singer-songwriter.
The confessional singer-songwriter movement of the 1970s was in full swing, and Bob Dylan's emotional album [ Blood on the Tracks] resonated with the times. There would be other hits, but never the same alchemy of emotion and time.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain "I" poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
I love it when people refer to me as a singer-songwriter. I get flutters in my stomach because they say, 'This is Grace VanderWaal, singer-songwriter,' not, 'This is Grace VanderWaal, winner of 'America's Got Talent.'' I'm so proud of that; it's such a big chapter of my life. But it's nice to kind of not be known as just that.
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
You always have to work to become a better singer, songwriter and performer.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
I hate the confessional. I love leaving the confessional. I hate going to the confessional. I would be a mess without it.
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