I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
You know I'm a bit of a dag because I listen to classical music. I recently bought myself an iPod and downloaded every piece of classical music that I had access to onto that.
I play classical music almost exclusively. I never mastered jazz or gospel in the way that my mother did. She was a fine improvisational musician. I pretty much have to stick to what's written on the page.
My father knew classical music very well. Driving in the car, listening to the radio, he could name every composer, every movement, what piece it was. I was fascinated by the way he recognized who wrote what.
Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.
There are three virtuous styles of music; classical, jazz and heavy metal. I do love classical music but I don't listen to it much anymore and I never listen to metal, so I am not very interested in music that is difficult to play.
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
I come from a small village and have had no formal training in music or any classes from the masters of Indian classical music.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
My father did not bother that I play not a classical music. He always congratulated me for my development in music, I mean in any music but, he hang on to continue training at the Academy of Music... however, I never mentioned to my teachers that I trained myself at weekends in clubs.
Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.
I would love to be able to program myself to pick up any instrument and to be able to play it very, very well, and to be able to read music and dance as well. I'm very uncoordinated, and I'd love to be able to bust a really great move.
I only knew classical music, which to me was the only true music. The only way I could survive at the bar was to mix the classical music with popular songs, and that meant I had to sing. What happened was that I discovered I had a voice plus the talent to mix classical music together with more popular songs, which at the time I detested.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.