A Quote by Andrew Bird

This might be a controversial thing to suggest, but in a quest to understand and relate to terrorism or school shootings, sometimes it feels like it's real, the appeal. As we've seen with ISIS, it's not always the devout who are getting into it; it's just people looking for a sense of belonging. The more they feel they're up against, the more intensity the cause has. It's an epic clash of cultures, and both sides are playing that up, but it's human beings disaffected, detached, and lonely.
As a kid growing up, this was sometimes a little bit intimidating to have a mom who was always, like, speaking up and always saying something that might be kind of controversial . . . . The thing I think that we got out of that that was really good was, like, we weren't afraid to make waves.
The more I come to understand music, the more I feel like a numbskull because there is always more to learn. The more I do it, the more I'm humbled. I'm just always trying to get better at it. I pick up a few tricks along the way.
Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.
Columbine was so frightening. And the media took off with it, like everything else, so it instilled more fear in people. You're looking around at school for kids like the ones who committed the shootings, and you feel wrong for doing that, you know?
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
THE POWER OF THE GROUP We all want to feel a sense of belonging. This isn’t a character flaw. It’s fundamental to the human experience. Our finest achievements are possible when people come together to work for a common cause. School spirit, the rightful pride we feel in our community, our heritage, our religion, and our families, all come from the value we place on belonging to a group.
The Muslim world, with its history and cultures, and indeed its different interpretations of Islam, is still little known in the West. The two worlds, Muslim and non-Muslim, Eastern and Western, must, as a matter of urgency, make a real effort to get to know one another, for I fear that what we have is not a clash of civilisations, but a clash of ignorance on both sides.
A belief in moral absolutes should always make us more, not less, critical of both sides in any conflict. This doesn't mean that both sides are equally wrong; it means that since we all fall short of moral perfection, even the side whose cause is truly righteous may commit terrible acts of violence in defense of that cause -- and, worse, may feel quite justified in committing them. That is the difference between being righteous and being self-righteous. Moral standards are absolute; but human fidelity to them is always relative.
People sometimes come up to me, and it's like they just want to capture Passenger. I feel like Pikachu. Sometimes, in the more sort of depressing moments, it feels like it's not about the music, it's just about the photo, and that really worries me.
Maybe poets express more directly a sense of sympathy for other human beings. Painting is a little bit more of a retreat from human beings in real life; painting is more about the extreme moments when speech doesn't help anymore.
These are the two sides of Steven Spielberg: the reverent grown-up who knows when to say the right thing and the exuberant kid who loves a good laugh. Both sides are sincere, and both are necessary, for Spielberg knows he can't feel good about himself unless everyone else feels the same way.
I think he is condemned by himself to loneliness. God is One: he was, he is, he will be always One. One is so lonely. Maybe that is why he created human beings--to feel less lonely. But as human beings betray his creation, he may become even lonelier.
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
The Tao doesn't take sides; it gives birth to both good and evil. The Master doesn't take sides; she welcomes both saints and sinners. The Tao is like a bellows: it is empty yet infinitely capable. The more you use it, the more it produces; the more you talk of it, the less you understand. Hold on to the center.
For me, water means a lot of things. It's my belief that human beings are just like plants. They can't live without water or they'll dry up. Human beings, without love or other nourishment, also dry up. The more water you see in my movies, the more the characters need to fill a gap in their lives, to get hydrated again.
Seeing yourself reflected on screen is a very important part of being human. It makes us feel less alone, it make us feel more connected to humanity. Women, gay men, and trans people for a long time have not seen themselves represented, so being able to show the complexities that we all have - just as complex stories as a heterosexual white male - is crucial for us to feel more human and have other people see us as human beings.
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