A Quote by Andrew Bird

Most of the songs that I appreciate are lyrically vague. — © Andrew Bird
Most of the songs that I appreciate are lyrically vague.
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
One quality of a good songwriter is to be vague. A vague notion, a vague image, but enough to give the listener the opportunity to make more out of what's being said than is there. That's the great thing about Bob Dylan's songs: We the listeners have made more out of them than he ever intended.
The quality of my songs will get through to people. They are good songs. Lyrically, some of them are interesting: there's stories, a bit of humour. I'm very confident about the music I play, you know.
I want to create something that you haven't heard lyrically before. It's part of my job, and even though some of my songs are love songs, I tend to talk about love in different ways.
The songs that work best are broad lyrically and have one strong concept in the metaphor.
'Astral Weeks' is a brilliant album, and songs like 'Moondance' are just beautiful lyrically.
What we try to do with all of our albums, is live out our musical fantasies in the most honest fashion we know how...We want to include songs that lyrically cover subjects ranging from the heaviest things we've ever done to light-hearted experiences that can best be presented through sentimental bluesy ballads that are usually good for a chuckle or two.
Music critics think of lyrics first and don't consider melody but so many songs are lyrically depressing but musically great, and that's why they become classics.
Lyrically, there's a lot of songs that are influenced by my wife. They're about my wife and I.
Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs.
'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I'm always thinking about songs, I'm thinking of life maybe a little bit more lyrically than a computer programmer or someone like that.
I'm the Most Lyrically Flamboyant Artist of All Time.
I have come to think that one of the most satisfying experiences I know — and also one of the most growth-promoting experiences for the other person — is just fully to appreciate this individual in the same way that I appreciate a sunset.
Only those who have lived all their lives under the dark clouds of vague, undefined fears can appreciate the joy of a doubting soul suddenly born into the kingdom of reason and free thought.
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