A Quote by Andrew Bird

It's not set in stone. I like to keep it rolling and changing, and so I am like, "Great, I get to remake my song." — © Andrew Bird
It's not set in stone. I like to keep it rolling and changing, and so I am like, "Great, I get to remake my song."
The difference between the Japanese and the American is summed up in their opposite reactions to the proverb (popular in both nations), "A rolling stone gathers no moss." Epidemiologist S. Leonard Syme observes that to the Japanese, moss is exquisite and valued; a stone is enhanced by moss; hence a person who keeps moving and changing never acquires the beauty and benefits of stability. To Americans, the proverb is an admonition to keep rolling, to keep from being covered with clinging attachments.
"Like a Rolling Stone" [of Bob Dylan] is a kiss-off song like none before or since.
In 1952, Muddy cut the song 'Rollin' Stone.' It was a nationwide success, and the song echoes down through rock n' roll history. Bob Dylan cut a tribute by the same name, an English band decided to call themselves the Rolling Stones, and the magazine that first embraced music as a serious cultural phenomenon was itself called 'Rolling Stone.'
Guitarists shouldn't get too riled up about all of the great players that were left off of 'Rolling Stone Magazines' list of the Greatest Guitar Players of all Time' ... Rolling Stone is published for people who read the magazine because they don't know what to wear.
I wanted to be in Rolling Stone number two with a tomorrow feel to it, like an experimental Rolling Stones with Jagger singing.
I'm not trying to hide from my past. I want to roll in it. Like a dog, rolling in feces, I'm rolling in the feces of my greatest hits - that's a bit of a wild way of looking at it, but I am a man, and we do like rolling in our own feces at times.
It was amazing to remake and rewrite a song like 'Sweet Like Chocolate.' It feels like a good way to come back.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
The stone that is rolling can gather no moss;For master and servant oft changing is loss.
At some point around '94 or '95, 'Rolling Stone' said that guitar rock was dead and that the Chemical Brothers were the future. I think that was the last issue of 'Rolling Stone' I ever bought.
I am the Doctor of Democracy. I am America's Truth Detector. And as the Doctor of Democracy, the deal you have with your doctor isn't changing. You get to keep your doctor. You get to keep your plan. You get to keep your station. Nothing's changing, and it really never was gonna change.
It has been said that a rolling stone gathers no moss. I would add that sometimes a rolling stone also gathers no verifiable facts or even the tiniest morsels of journalistic integrity.
I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."
I told Bernie Taupin that his best lyrics were for Song For Guy just because it doesn't have any words in it. But there you go... I'm a wind up! But a good Elton song for karaoke is I Guess That's Why They Call It The Blues... "laughing like children, living like lovers, rolling like thunder under the covers..." Everyone can join in!
When he utilizes combined energy, his fighting men become as it were like unto rolling logs or stones. For it is the nature of a log or stone to remain motionless on level ground, and to move when on a slope; if four-cornered, to come to a standstill, but if round-shaped to go rolling down.
I don't like to get comfortable. I don't like to be like, 'Oh, my song is all over the place. I'm lit.' Nah, it makes me wanna keep working.
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