A Quote by Andrew Bogut
I think Chris Paul is a great player. He is very unselfish and plays very hard, so he would be a guy if he plays. I think his hand is still questionable, though. I hear they are talking about resting him that weekend. I'm excited to play with all the guys. Marvin Williams is starting to play well, and Salim Stoudamire, I think he should be there.
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I think Falcao is one of the best strikers because of the way he plays, more than simply being a player with a lot of class, to define a game, a style of play. He's proven that he's a player who works hard; he's very strong both tactically and technically.
Prince Harry is a great guy, very competitive; he's been playing polo all his life. Riding is in his blood. His grandmother loves horses, his grandfather played polo, his father played polo, his brother plays polo, so it's in his blood. He likes to play hard, we joke about it and it's great.
Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?
One woman who I think is great is Vidya Balan: her casting in 'The Dirty Picture' was very exciting. Let's break new grounds; let's think beyond the usual. Why can't a woman who plays a mother also play a lover, or why a lover can't play a villain?
I don't have a 'Life's short, play hard' type of philosophy. That's about fear. I tend to think that life is very long - but you should still play hard.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
I tend to gravitate towards the great rock-and-roll front men, the guys that are very "bare bones." I like Bono, I like Chris Martin(Coldplay) and I like the running around. I think they are amazing at it, but I think that there is something great about a guy that can captivate a room, and very little movement and running everywhere.
I don't pay much attention to how the plays relate thematically to each other. I think that's very dangerous to do, because in the theater one is self-conscious enough without planning ahead or wondering about the thematic relation from one play to the next. One hopes that one is developing, and writing interestingly, and that's where it should end, I think.
I don't think I've ever written anything even remotely naturalistic. The closest probably would be seen as 'Frankie and Johnny,' and that's only 'cause they eat a sandwich and make an omelet in act two. But it's a romantic fairy tale, and I'm very aware of that. I don't think it helps the actors in my plays to lose themselves in the reality of talking to another person. A good McNally actor always knows he's in a play with an audience.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
It bothers me when I hear these reporters and jocks get on TV and say: 'Oh, no guy can come out in a team sport. These guys would go crazy.' First of all, quit telling me what I think. I'd rather have a gay guy who can play than a straight guy who can't play.
Everybody is excited to play so I think who plays with whom is a minor thing at this point.
I think he [Vaclav Havel] probably would have liked to have written more plays. I think he missed being a playwright.I think he talked about wanting to write plays and keep appealing to people through that medium, rather than politics.
I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.
I think people like players they can relate to. It seems as if people think they know me. I just think I'm an ordinary Joe who plays golf very, very well.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
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