A Quote by Andrew Coyle Bradley
In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.
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Surely He intends some great good to follow this mighty convulsion which no mortal could make, and no mortal could stay.
I always think a good sports movie is emblematic in the same way that a great Greek tragedy really has a certain kind of structure, or a Shakespearean play if you're looking at a comedy or a tragedy, is that these are the heights and depths of human emotion.
Passion means suffering and compassion means suffering together. Suffering produces perseverance and perseverance produces character and character produces hope. And that lifts people up, knowing they're not alone.
Such exceptional suffering and calamity, then, affecting the hero, and-we must now add-generally extending far and wide beyond him, so as to make the whole scene a scene of woe, are an essential ingredient in tragedy and a chief source of the tragic emotions, and especially of pity. But the proportions of this ingredient, and the direction taken by tragic pity, will naturally vary greatly.
It is only our exactions of life that are terrible. It is only our impossible conceptions of beauty and good and justice that are terrible--because they never are realized, and at the same time they prevent us taking life as it is. That is the real source of all our sorrow and suffering.
Death has an opposite, but the opposite is not mere living. It is not courage or faith or human will. The opposite of death is love. How had I missed that? How does anyone miss that? Love is our only weapon. Only love can turn mere life into a miracle, and draw precious meaning from suffering and fear
What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.
The tender breasts of ladies were not formed for political convulsion.
Our passions are like convulsion fits, which, though they make us stronger for a time, leave us the weaker ever after.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
All equally see in the convulsion in America an era in the history of the world, out of which must come in the end a general recognition of the right of mankind to the produce of their labor and the pursuit of happiness.
People hate it when they're tickled because laughter is not pleasant, if it goes on too long. I think it's a desperate sort of convulsion in desperate circumstances, which helps a little.
The question is absurd: when you ask, 'If God is both all good and all powerful, why then does He allow suffering?', what you are really asking is, 'If God is both all good and all powerful, why then can He not make me (the questioner) - who is just as much a part of a universe in which there is suffering as is any other part - be at the same time the exact same questioner, but one who is now part and parcel of a universe in which there is no suffering?' Which, reduced down, is the same thing as asking, 'Why can there not be, at the same time, X and the preclusion of X?'
The question whether the long effort to put an end to war can succeed without another major convulsion challenges not only our minds but our sense of responsibility.
Good comedy films, if you listen to the score, the music is not trying to be funny. It's always, in a way, underscoring the tragedy and struggle of the main character.
Classical tragedy was the war between good and evil. We wanted evil to be defeated and good to be victorious. But the battle in modern tragedy is between good and good. And no matter which side wins, we'll still be heartbroken.
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