A Quote by Andrew Davies
I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.
I don't really have loads of friends - three or four who are close. The thing that I love the most is playing with my band, and with everything else I feel kind of uncomfortable. I don't think I'm socially awkward. I just prefer being behind a piano.
Mr. Hitchcock taught me everything about cinema. It was thanks to him that I understood that murder scenes should be shot like love scenes and love scenes like murder scenes.
Love scenes are always weird, though. They're always uncomfortable. It's all the people around who make it uncomfortable. It's not usually the actor you're working with, because they usually feel just as weird as you do!
I'm getting so old - it's more uncomfortable to do those scenes now than when I was 20. I mean, I don't have a big problem with nudity on screen. But usually the days when you do those naked love scenes are the weirdest ones on set. Everyone is uncomfortable. You're like, 'Hi. How are you?' Then the next minute you're with an actress who you don't know and you're pretending to make love to her in front of all the crew. The acting challenge is pretending things are OK.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
With 'Call Me by Your Name,' they locked off the camera and let scenes play out in long, wide shots to make them feel almost voyeuristic.
There's nothing I've done that I feel a lot of regret over because I stuck to my guns, even when it got uncomfortable - and it will get uncomfortable because you're going up against the wall.
I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.
In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
From a distance, a clone's luminous eyes are meant to draw in humans and make them feel safe. Up close, the eyes appear hollow. Because of that, humans tend not to look into our eyes too closely, which I've been told is socially preferable, as eyes without souls behind them can be frightening.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I'll close my eyes, so I won't see, all of the love that you don't feel for me.
I was so passionate about wanting the role in 'Like Crazy,' I filmed myself in the shower because that's where one of the scenes was set. It just felt instinctive. It was a close up! It would have been strange if I'd sent off a wide shot of myself. That's not the kind of work I want to do!
I'd prefer to include sex scenes alongside the adventure scenes and everyday-life scenes, as if they were all part of the same thing. Which of course they are. Sex is not discrete from the rest of our existence.
Most folks here got rules 'bout trespassing. Warning shot's fired right close to the head. Get they's attention. Next shot gets a lot more personal. Now I'm too old to waste time firing a warning shot.
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