A Quote by Andrew Davies

Novels often have leisurely openings; a TV drama needs an arresting opening. — © Andrew Davies
Novels often have leisurely openings; a TV drama needs an arresting opening.
We have to stop arresting prostitutes and not arresting traffickers and pimps. It's absurd. We're arresting the victim or the survivor and not the oppressor.
Needs are never conflicting. When we say that, we are only saying that at the moment we aren't seeing how both needs can be met. That leaves an opening. When you think in the way I'm suggesting, you'll often find a way to get most needs met simultaneously.
In chess so much depends on opening theory, so the champions before the last century did not know as much as I do and other players do about opening theory. So if you just brought them back from the dead they wouldn't do well. They'd get bad openings.
My first novel, 'You Must be Sisters,' was started in Pakistan. I've wrote several novels and a TV drama set or partly-set there.
The traditional media [in China] is still heavily controlled by the government; social media offers an opening to let the steam out a little bit. But because you don't have many other openings, the heat coming out of this opening is sometimes very strong, active and even violent.
One of our fundamental human needs is finding our partner that we hope we will stay with for the rest of our lives. You often find the same search in other genres. The mystery novel has a romance subplot. Literary novels often focus on that relationship but do not often end well.
I think if I had come out of drama school and been an instant Hollywood superstar, I would be taking long, leisurely holidays.
I love research. Sometimes I think writing novels is just an excuse to allow myself this leisurely time of getting to know a period and reading its books and watching its films. I see it as a real treat.
No one reads novels anymore. And I don't see the situation improving. People prefer video games, reality TV, and films. There are so many reasons now not to read novels.
One thing I learned working at magazines was that if you couldn't get people to look at a page or a cover, then you were fired. It was all about how you create arresting works, and by arresting I mean stop people, even for a nano-second.
I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.
I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.
Opening amenities are often opening inanities.
Titled players appeared to be trotting out game after game in which the same old hoary opening sequences, memorized out to fifteen, twenty, or even more moves, were repeated endlessly. True novelties were becoming scarcer, and sometimes these 'opening' novelties didn't appear until well into the middlegame. (A master-level friend once proudly showed me a novelty he'd discovered at move twenty-seven of a very well-trodden chess opening, and it's said that even as far back as the 1950's Mikhail Botvinnik had some openings memorised past the thirtieth move).
Our wounds are often the openings into the best and most beautiful part of us.
I have not watched the TV show. I do not generally watch TV sci-fi drama shows. They make me itch.
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