A Quote by Andrew Davies
The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
Related Quotes
Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
For this remains as I have already pointed out the essential difference between the two religions of decadence : Buddhism promises nothing, but actually fulfils; Christianity promises everything, but fulfils nothing.
I think that everybody needs four things in life. Everybody needs something to do regardless of age. Everybody needs someone to love. Everybody needs something to hope for, and, of course, everybody needs someone to believe in.
I see the war problem as an economic problem, a business problem, a cultural problem, an educational problem - everything but a military problem. There's no military solution. There is a business solution - and the sooner we can provide jobs, not with our money, but the United States has to provide the framework.
Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.
Criticism may not be agreeable, but it is necessary. It fulfils the same function as pain in the human body. It calls attention to an unhealthy state of things.
Everything that I do has a certain mechanical logic to it, and follows my definition of design--which is function with cultural content.
Everybody has the blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called jazz, there is a stepping-stone to all of these.
Everybody gets sick; everybody has had a problem with insurance or the prescription drugs they're supposed to be taking or an elderly parent who needs care.
Reggae goes in and out. It sounds so good, it feels so good and feels so tropical, but the problem is not everybody is Caribbean. Not everyone is going to sound authentic doing it, and sometimes it comes off cheesy when other people do it.
Maybe we, the cultural workers , could apply ourselves. We're not going to resolve it in this moment or even in this generation, but perhaps as some kind of agenda we could invite our writers and cultural workers to address the problem a little more responsibly, because people are suffering tremendously from a want of data.
Everybody feels they have been trespassed upon, and nearly everybody has trespassed on somebody else, maybe not intentionally.
If we were making a record in Kentucky, there might be some more elements that recall a time, a place, or a relationship. Recording for the BBC you enter into this strange and wonderful, but kind of sterile, place with which you have no personal history, and that's the Maida Vale Studios at BBC in London.
A lot of people want to know why did I leave the BBC: did I have an argument with them? No! I had 13 wonderful years. But it was time. Since I left university, I'd only ever worked for the BBC. It was simply time.
I am sorry to be leaving the BBC. I have enjoyed a fascinating seven years at the corporation and am particularly proud to have played a small part in the development of the BBC's Global News services, BBC World Service and BBC World.
What I've learned is that everybody really wants to sell their story. No matter who they are, everybody feels that what they're doing is the right thing, and if they could only explain themselves to a reasonable person that understands them, then maybe they'll listen.
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