A Quote by Andrew Davies

Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what? — © Andrew Davies
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?'
Oh my God the fantasies are my favorite thing that we do each episode by far. And the great thing now is that instead of one an episode sometimes we do as many as two. We did one in each of the mini-series. And so far - I mean I keep thinking I can't have another favorite and then they keep topping it.
I find myself thinking: Oh God, now what? I always have to have a new plan, otherwise I get very, very bored.
You can make a film in a way that, when the audience leaves the theater, they leave with certain answers in their head. But when you leave them with answers, you interrupt the process of thinking. If, instead, you raise questions about the themes and the story, this means that the audience is on its way to start thinking.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
For me, I was entirely focused on 'Episode VIII' and having this experience, and now I'm just thinking of putting the movie out there and seeing how audiences respond to it.
It's one thing to plan and imagine what you want on a film, but when you actually arrive and survey the scene, there's a moment of, 'Oh my God, what was I thinking?'
With my plays, when the lights go down, at least the audience isn't thinking, 'Oh, God, two more hours of this.'
With my plays, when the lights go down, at least the audience isn't thinking, 'Oh, God, two more hours of this.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
Love is the overflow of joy in God! It is not duty for duty's sake, or right for right's sake. It is not a resolute abandoning of one's own good with a view solely to the good of the other person. It is first a deeply satisfying experience of the fullness of God's grace, and then a doubly satisfying experience of sharing that grace with another person.
I think God has a plan for all of us, and even if that plan includes Hell, its still a plan.
A story has to have several layers to sustain audience interest in each episode.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
We are to make a plan for the day, pray over that plan, and then proceed with that plan. When we are willing to regard the unexpected as God's intervention, we can flex with the new plan, recognizing it as God's plan.
I go down the street thinking, 'Oh my God, I live in New York.' But then I think, 'Oh my God, I'm on Broadway!'
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