A Quote by Andrew Dice Clay

I'm a Brooklyn guy onstage, and I try to really feed my fans with the kind of material they expect from me. — © Andrew Dice Clay
I'm a Brooklyn guy onstage, and I try to really feed my fans with the kind of material they expect from me.
I’m a Brooklyn guy onstage, and I try to really feed my fans with the kind of material they expect from me.
For me it's like really exciting to see all my fans showing this love to me. So it's a responsibility to me to go out there every game and try to be a good player try to show good things because my fans expect that I do something special.
I really love fighting in Brooklyn and at Barclays Center. The fans in Brooklyn always show me a lot of love.
My brother played the game with his friends, so I thought I was a pretty smart kid and I played this friend of mine and he just crushed me and this was Brooklyn Tech High School in Brooklyn where I still live, in Brooklyn, New York and this guy beat me so bad it wasn't even funny. I couldn't understand why he beat me.
I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage.
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
I feel like I have a job to do, like I constantly have to reinvent myself. The more I up the ante for myself, the better it is in the long run. I try to interact with my fans as much as possible. It's good that the person I'm being onstage isn't really an act. It's really me.
We don't try to please everyone. Those older fans who expect something from The Roots are a tad more important to me than getting new fans.
I love Brooklyn so much. Everything I do I try to do in Brooklyn. Brooklyn is my home base.
I just really try to stay focused on what the material is wanting to do. My basic assumption is that no one will ever listen to it anyway. It's fidelity to the material. That's my contract: It's me and the material. And if it connects with other people, I'm thrilled.
I never really have blank page syndrome. I don't get blocked. I have a plan for my novel before I start which, although incomplete, probably contains enough material for several novels by a quieter kind of writer. And I try to get my arms around that material and see where it takes me.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
I don't really have any kind of rigorous or definite routine before I go onstage. I like to eat at least an hour or two before I go on. If I can't do that, I just wait until after. I try and drink lots of water before I go onstage.
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
I was a Yankee fan in Brooklyn because my father was a Yankee fan. And my father was required to live in Brooklyn with my mother's family, who were all Dodger fans. So he was surrounded by Dodger fans. He was a Yankee fan. So his revenge was to make me a Yankee fan.
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