A Quote by Andrew Dice Clay

I certainly don't walk around my home or being with my family and just using profane language all the time, but on stage, it's a constant. — © Andrew Dice Clay
I certainly don't walk around my home or being with my family and just using profane language all the time, but on stage, it's a constant.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.
You can't get around certain stuff, whether it's in Darfur or on your block at home. What makes us political is your home turf, your family, your life space. You walk down the street, and automatically a human being is territorial, and political happens in that.
I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
At one stage I was using crutches on stage and couldn't walk more than 20 yards but a hip replacement in 2010 sorted that out.
When I was growing up, everyone around me was fond of fooling around with words. It was certainly common in my family, but I think it is typical of Bombay, and maybe of India, that there is a sense of play in the way people use language.
Being a father is certainly a task. But the best one that I could ever ask for. Being home, being with the family, that's what it's about...
I'm writing, I'm using language, I'm using that language to tell stories and even more so to get ideas across. And I just love that, and I've always loved that.
Oh, no, I think I'd die on my own. I'd be so lonely. Even at home, I'm lonely. I sit in my room and sometimes cry. It is so hard to make friends, and there are some things you can't talk to your parents or family about. I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home.
Going through a divorce after twenty-five years of marriage was the most difficult time for me. It was challenging to reorient my life from being centered around family, a family home, and a long-term relationship.
I just work so much and so hard that I love the idea of being around family, friends and my animals quietly at home, just chilling out.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
I learned a long time ago that you don't have to go around using bad language and trying to hurt people to show how macho you are. That stuff won't get you anywhere, it just shows lack of vocabulary and character.
The family as an institution today is beset on all sides. Conflicts within the family are critical and often damaging. Contention puts heavy strain on stability, strength, peace, and unity in the home. There is certainly not time for contention in building a strong family.
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