A Quote by Andrew Dice Clay
When I got into comedy, which was really for acting, I would see the guys who would be considered great today. They were great, but after a few minutes I could get kind of bored because they wouldn't move around. The dress code was boring to me. I didn't want to see the guy next door when I'm watching a performer. I wanted to see someone I would pay a ticket for.
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I got really bored of sitting around waiting for work or for the next movie to come along that only 100 people would see. I got bored of being skint, of twiddling my thumbs, wondering how to take my life to the next stage.
I'd really like people to see me as a real actress, which I am, but they don't. It's hard to get them to see me as a musician, they just see me as a hanger-on to the Stones, which is not what I am at all. It's a good idea, and if something like that would turn up I could do a whole television show. I've thought about playing a landlady, sort of a mad '60s lady, this absolutely insane character. I would love it. It's a great idea.
I auditioned [for America's Most Talented Kids] just to see where I would rank. I had been playing [gigs] around town, and I wanted to see what people thought of me because when I played a show, everyone would clap but I didn't know what they were really thinking.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
I didn't really want to be an actor when I was growing up - I wanted to be whatever I was reading about or seeing at the time. When I read The Firm I wanted to be a lawyer; when I saw Top Gun, I wanted to be a fighter pilot. So that's why acting probably turned out to be a good thing for me because I get to be people for five minutes or 90 minutes. I'd be curious to see if I had the attention span to be like those guys on 30 Rock and play the same character season after season.
I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
The only thing was, she didn't really want to see the future. What she wanted was to see something no one else could see or would see, and maybe that was asking for more magic that was in the world.
I think my ideal man would speak many languages. He would speak Ibo and Yoruba and English and French and all of the others. He could speak with any person, even the soldiers, and if there was violence in their heart he could change it. He would not have to fight, do you see? Maybe he would not be very handsome, but he would be beautiful when he spoke. He would be very kind, even if you burned his food because you were laughing and talking with your girlfriends instead of watching the cooking. He would just say, 'Ah, never mind'.
I was lucky I went to school in London because the tutors could see what to do. I knew I wanted to do something different. Why would I want to do what other people were already doing, because they would always do it better? I always wanted to work around the body. So throughout my college years, my work was quite free.
If intelligence were a television set, it would be an early black-and-white model with poor reception, so that much of the picture was gray and the figures on the screen were snowy and indistinct. You could fiddle with the knobs all you wanted, but unless you were careful, what you would see often depended more on what you expected or hoped to see than on what was really there.
My coaches - and even my parents - wanted to give me the space for exploration to see what I could do. Or even to see what I couldn't do and what I would want to learn how to do. It was always about inspiring me and giving me that freedom that you would want in childhood.
One thing I think is great is that if you use social media really well - in a natural, personal way - you can kind of see what's missing. You can see when you're bored of something or of someone.
If you could only see the vision I have. I wish I had your bodies to do this work. I would run from house to house telling everyone of the gospel, and after I lost strength to run I would begin to walk, and after I collapsed from walking, I would begin to crawl, and after my knees were so bloody that I could not use them I would use my arms to drag myself, and once my muscle in my body was gone I would begin to yell…oh, only if you could see the vision as I have.
I would go for the biggest guy on the team, dump the puck in. I would chase after it because I was very fast. If I wanted to get a big hit, I would have to leap into the guy. The guy would be maybe a 6-3 defenseman, 220, I would leap into this guy and plow him over. He would just fall to the ground. That was my thing.
If real Satanism were allowed the kind of television time that Christianity has now, the kind of drawing out and patience that interviewers give sports figures, or the kind of coverage that a baseball game gets, Christianity would be completely eliminated in a few short months. If people were allowed to see the complete, unbiased truth, even for 60 minutes, it would be too dangerous. There would be no comparison.
I feel that there are great minds up there who would like to see what I can do with an Oscar nomination. I guess many people would change after a nomination in the way they see things. In my case it's really irrelevant in terms of what I do. Still, it was an incredible experience which I will put in my memories, like everything else.
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