A Quote by Andrew Flintoff
There have always been two people jostling for control of my life, two totally opposite characters. The first one is super-confident, bulletproof, a showman, and an extrovert. He tries to make people laugh, messes about, gets into trouble, shrugs it off. The other character is withdrawn and reflective.
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If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
I've always been part of comedy. One of the things about our family was that if we were reasonably funny with each other, particularly my two brothers and myself, when my father was upset with something you'd want to make sure in some way you made him laugh. Because when he didn't laugh, you were in trouble!
That has always been my character - on the pitch I have a strong temperament, but off the pitch I'm more serene, reflective. I manage to separate out those two things.
For love... has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together
The heartthrob thing came in the late 1960s, and to be honest, it was fun! But I was very aware that well-known actors are two people - who you are and who other people think you are. Life only gets tricky if you confuse the two.
We have two programs dealing with bulletproof vests, two different systems of actually distributing bulletproof vests from the federal government. Two sets of applications, two different sets of personnel to approve those applications.
When two people loved each other they worked together always, two against the world, a little company. Joy was shared; trouble was split. You had an ally.
I have two brothers, and we used to always laugh at oblivious people. People who are so cocky and full of themselves that they just don't realize how stupid they are. And those kind of idiots really make me laugh.
You expect two-year olds to wear diapers and make a mess with just about everything they touch. We have to allow the young in Christ to be immature, and yes, make messes. Young and immature prophetic people will act like young and immature prophetic people. The belief that some have tried to impose on the prophetic - that if you made one mistake you are a false prophet - inhibits their maturity, or worse, it can profoundly distort their character.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
I wonder how many people I've looked at all my life and never seen. It's scary to think about. Point of reference again. When two people meet, each one is changed by the other so you've got two new people.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
In 'Nach... ', I go all out, but 'Saraswati... ' is an introvert character. The two things are totally opposite.
I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.
I think the terminology I would use is 'a continuous process of reflection'. I've always thought of only two questions that have mattered to me personally. One is what is really needed in the world and the second is what's really important to me and how these two intersect. It's always been a reflective process - spiraling around these two poles.
One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.
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