A Quote by Andrew Garfield

I was raised with the idea that the arts were a doss - but the arts are vital. If you see Mark Rylance perform Shakespeare at the Globe, you know it's a spiritual act. — © Andrew Garfield
I was raised with the idea that the arts were a doss - but the arts are vital. If you see Mark Rylance perform Shakespeare at the Globe, you know it's a spiritual act.
The idea that popular arts were shallow by definition and the traditional arts were profound was dead, I thought, and I wanted to prove it.
The liberal arts are the arts of communication and thinking. 'They are the arts indispensable to further learning, for they are the arts of reading, writing, speaking, listening, figuring.
I was raised on piano and saxophone and jazz music for ten or twelve years. Before I even picked up a bass. My whole family has always pushed the arts, you know? My brother is a doctor of music and my cousin is an opera singer over in Austria. Arts were always a big thing in our family.
We need to make sure that the powers that be know that arts education is as vital and as important as geography and arithmetic. You know, it is a part of the spiritual and the soulful experience and expression of being human and it is a necessity, as necessary as water, as breathing air.
The arts are not a frill. The arts are a response to our individuality and our nature, and help to shape our identity. What is there that can transcend deep difference and stubborn divisions? The arts. They have a wonderful universality. Art has the potential to unify. It can speak in many languages without a translator. The arts do not discriminate. The arts lift us up.
Throughout history, the arts and humanities have helped men and women around the globe grapple with the most challenging questions and come to know the most basic truths. In our increasingly interconnected world, the arts play an important role in both shaping the character that defines us and reminding us of our shared humanity. This month, we celebrate our Nation's arts and humanities, and we recommit to ensuring all Americans can access and experience them.
The arts are so important not only to society but to ourselves as human beings. It keeps in touch with our own humanity. So access to the arts in any way, shape, or form is vital.
The people who fund the arts, provide the arts, and research the arts have all produced a consensus about the value of what they do, which hardly anyone challenges. But do the numbers add up? For all the claims made about the arts, how accurate are they?
You know, I went to Oberlin. At that time, grades were - you elected to have them or not. It was all of that era where grades were out the window. But I did very well in school. I didn't really study the arts; I practiced the arts.
Poetry and the arts can’t exist in America. Mere exposure to the arts does nothing for a mentality which is incorrigibly dialectical. The vital tensions and nutritive action of ideogram remain inaccessible to this state of mind.
Science needs the intuition and metaphorical power of the arts, and the arts need the fresh blood of science ... Interpretation is the logical channel of consilient explanation between science and the arts. The arts ... also nourish our craving for the mystical.
I see the difficulty of kids in going to university, the difficulty of kids in schools getting arts education, so that the arts and drama and the creative arts are extracurricular. They aren't: they are at the centre, and they are the equipment we so desperately need in the world.
I knew from a young age that I wanted to perform. I went to an arts camp called Brookdale Arts Camp, in New Jersey, from the time I was 6, and then I was a counselor there through high school.
The rapidly evolving global economy demands a dynamic and creative workforce. The arts and its related businesses are responsible for billions of dollars in cultural exports for this country. It is imperative that we continue to support the arts and arts education both on the national and local levels. The strength of every democracy is measured by its commitment to the arts.
I'm as thrilled watching Mark Rylance do Shakespeare as I am watching 'The Book of Mormon.'
At drama school, I got a job choreographing and teaching the fights for Mark Rylance doing 'Hamlet' at the Globe in London when I was only 19. They made me fight captain.
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