A Quote by Andrew Hill
It is good to be different, because difference is great; that's what this music is based on. But lose that energy between the audience and the players, and you have nothing.
Related Quotes
Music is energy, and energy is the single most important form of it in the world. Without energy, there is no life. The only difference between a dead person and a live person is the energy, the electricity flowing inside their system, and that's what makes music.
The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
The difference between the good players and the great is how long they stay in their prime.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
We may exist in all universes, but 'hear' only one because of our limitations, the valve of our desires, our practical, physical needs. All is vibration, with nothing vibrating across no distance whatsoever. All is music. A universe, a world, is just one long difficult song. The difference between worlds is the difference between songs.
The players who tend to make the difference are often great dribblers. Some are very fast; others have a repertoire of moves and feints. These players need to have great technique in order to be good dribblers. But I'm not a good dribbler.
The difference is almost all mental. The top players just hate to lose. I think that's the difference. A champion hates to lose even more than she loves to win.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.
While the difference between a bad sermon and a good sermon is mainly the responsibility of the preacher, the difference between good preaching and great preaching lies mainly in the work of the Holy Spirit. . . . We should do the work it takes to make our communication good and leave it up to God how and how often he makes it great for the listener.
I always think that the difference between film and theater is like the difference between masturbation and making love. Because, in film, you just have to get one moment right; you're practically by yourself. And in theater, you actually have to have a relationship with the audience.
But there's an enormous difference between an audience that's watching you because they can't wait to see what comes next and an audience that's watching you because they're waiting for you to fail.
I have never acknowledged the difference between serious music and light music. There is only good music and bad music.
It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.
Hopefully the process is to spot things that would be grist for the funny mill. In some respects, the heavier subjects are the ones that are most loaded with opportunity because they have the most - you know, the difference between potential and kinetic energy? - they have the most potential energy, so to delve into that gives you the largest combustion, the most interest. I don't mean for the audience. I mean for us. Everyone here is working too hard to do stuff we don't care about.
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