A Quote by Andrew Keenan-Bolger

'Breaking In' shows what it's really like backstage at New York Fringe Theatre. — © Andrew Keenan-Bolger
'Breaking In' shows what it's really like backstage at New York Fringe Theatre.
I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.
After a two-year stint at Cheek by Jowl theatre company in London, I put all my energies into breaking into New York's theatre scene. It took me eight years to build enough to play lead roles.
I've been living in New York City almost seven years, and my mentality has changed a lot. Just from being in New York this long and going across America, I realize that in New York, nobody really cares. They are just like, "We're New Yorkers." I feel like that is really the way it should be.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
New York is breaking my heart. I’ve often said that it’s like having a really interesting boyfriend suddenly becoming really, really into wine, and having to have endless conversations about it.
I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
I came to New York in 1974, when I graduated from college. And you had to use 'Backstage' because all of the auditions were listed there. Most people didn't come with agents, so you got to see a lot of what was auditioning and when and where. 'Backstage' made sure you knew the major places.
I don't like to travel. I go out. When you do stand up, you travel a lot. Just working out. I don't really enjoy it. I like New York. There's nothing really like New York. Everything just becomes a worse version of New York.
It's the cable shows that are really the most interesting - 'Mad Men,' 'Breaking Bad,' those shows are really the premiere shows on television right now.
Restaurants, shows, night life, art exhibits, readings - New York is such a cultural epicenter, and while Jersey makes so much sense right now, I really am hoping to have my own future New York City some day.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
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