A Quote by Andrew Keenan-Bolger
As a kid, I was obsessed with Broadway cast recordings, and I would totally mimic and memorize every little choice that these actors made.
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When I was little I used to dance and model and that was fun. But I was always the person that was goofing off and I would memorize every line in every movie that I saw. And at recess that's what I would do, I would talk to my friends and recite movies.
I was obsessed with X-Men as a kid, and I would have to go and play every last one of them. My sister was obsessed with Barbies. So we would create these X-Men-Barbie combos and perform weird musicals where they interacted with each other.
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I'm as anxious as any viewer would be to see what Temple is going to do next. All I know is that in the second half of the season, he's going to have more sexual tension developing. And it's a great cast - they're all Broadway actors except for me. I aspire to that.
Especially on Broadway, composers and lyricists fretted over their creations, obsessed over every rhyme, every critical chord or interval. The stakes were so high. On Broadway, people were watching and judging, especially newspaper critics who knew a thousand ways to slice and dice a songwriter for the entertainment of hundreds of thousands of faithful readers. There was no anonymity for the Broadway songwriter. Even the best could find themselves stripped naked the morning after by the tastemakers and their readers.
At a very young age, when I was a baby, I used to mimic all of these movies, like 'Dreamgirls' and 'Ray,' the type of movies you wouldn't think a little kid would know. But my parents thought I was great.
To be totally honest, I thought I would have a Broadway debut in the distant, distant future, maybe in my 60s or 70s when somebody revived one of my off-Broadway plays with a star.
I always wanted to be a Broadway star. That's actually what I wanted to be when I was a kid. I wanted to be the 19-year-old sensation on Broadway. It took a little bit longer than that.
My passion was to be on Broadway and to be part of this community because I saw what it was like from the outside as the young kid in and around New York, and I would see things like the 'Easter Bonnet' or 'Broadway Bares,' things I would sneak into.
I used humor to avoid being picked on as a kid. Or I would try and make my parents laugh, so I wouldn't get in trouble. But as a kid, I would watch Flip Wilson and I would memorize his whole routine, listen to Bill Cosby's records constantly, Steve Martin, Carol Burnett, Lucille Ball. I just drank that stuff up and loved it.
That’s the thing about success and happiness. Every time I fall in love I become absolutely, pathologically obsessed. The moment that you have what you want, and you’re not totally ready for it, you become obsessed with the idea that you don’t deserve it.
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You’re a solid person, Sage. You’re easy on the eyes, if a little skinny, and your ability to memorize useless information is going to totally hook in some guy.
My favorite song as a boy was definitely 'Downtown' recorded by Petula Clark. I still love it! And the original cast recording of 'Gypsy'; I played my mother's cast recordings until there was no vinyl left.
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I don't have a formula. Every time an actor wants me to hold their hand, I hold their hand. If they say, "Stay," I say "Okay, respect." You know? "I'm right over here." A kid, if I need to give a line-reading, I'll start acting out the part for the kid and just mimic the kid. You know? Whatever it takes.
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