A Quote by Andrew Lincoln

I've always wanted to work in America because of those brilliant east-coast political movies of the '70s and '80s - great scripts, wonderful performances, gritty urban parable.
We liked the Beach Boys. There was kind of that friendly East Coast, West Coast thing between us. We were always fans. 'God Only Knows' is a brilliant record.
I'm a great consumer of kung-fu movies - mid-'70s to late-'80s.
I don't have to come back, because I am still here! And I'm not an '80s thing. I already worked with my first band back in East Germany and that was soooo '70s, young man. I'm a '70s thing. If I'm a thing at all... and an exciting thing.
I was always real deep into music. From everything, all around the board - from East Coast, West Coast, down South, everywhere. I just been a fan of music and I know I always wanted to do it myself and I wanted to do it my way. So, I told myself if I ever start doing music, I'ma do it my way. That's what made me start my own label.
People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.
I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors.
People forget how dominant Public Enemy became in the mid '80s. No one talks about how transformative they were. And then that led to the '90s and the sort of East Coast v. West Coast stuff, which is kinda when I came of age.
Great individuals and great performances build a team, which produces brilliant performances.
I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
The Merchant Marines fight piracy all over the world. We fight piracy in the Philippines, the east and west coast of Africa, and the east and west coast of South America.
For me, the stamp that I impose on stuff comes from the fact that in the '80s, when I was starting to write movies, I looked back to the '70s. So the films I enjoyed as a kid were the thrillers that came out of the '70s. Back then, you didn't have action movies; you had adventure films or thrillers.
I quit doing the movies because the wrestling was going so good and was so on fire during the '80s and '90s, but I was getting all these movie scripts.
The Midwest has, I think, incredibly hardworking people. You know they're going to be successful because, quite honestly, I cannot work with people from the East Coast - a little bit of variance on the coast - I'm from Ohio, and I understand that.
But then again in the East Coast, I think, Tupac, inspired everybody on the East Coast, everybody down south, everybody in the West Coast you know what sayin'.
People are calling a lot, sending scripts my way. Yes, it's wonderful because, let's face it, there aren't many wonderful scripts for women over the age of 10.
As an actress, I always wanted to do movies, and I never dreamt about doing movies in America just because I didn't think it was possible.
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