A Quote by Andrew Lincoln
I love acting. I just love it. It's in my bones. I remember when I was a kid, I watched an interview with Dennis Hopper talking about Jimmy Dean on the set of Rebel Without A Cause. Jimmy said to him, "If you've got to cry in a scene, you've got to cry. Make it real." And that's all that I believe in.
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I knew Jimmy Dean. He tested for 'Battle Cry'. Paul Newman tested for 'Battle Cry'. I did nine tests to finally get that role.
He's so interesting because you think you know Dennis Hopper, but you don't really know Dennis Hopper. I don't really know Dennis Hopper, I just know him from the silver screen.
It’s just that you go so crazy being alone like that. Sometimes he’d forget my water or food and I’d cry and cry and cry.” She stops talking and looks out the window. “I would try to tell myself stories to pass the time. Fairy tales. Parts of books. But they got used up.
Once I got over my initial butterflies, being in the same room and doing a scene with Jimmy Caan was great. I never backed down for one second against him. I loved it. I love those moments. Working with people like that is the greatest joy you can get as an actor.
I was like, 'I've got to watch some more of these.' And yeah, I watched 'E.T.,' which I absolutely love. I'm not a big crier, but that just always makes me cry.
I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.
I think I'm going to cry, this is crazy." "No, you're just processing. Go ahead and cry." "I thought men got nervous around crying females." "I'm a Marine, remember? We're trained to handle anything.
I love to cry. It's such a great release. If I'm just tired - jetlagged, I didn't get any sleep, I want to cry. I think it's important to cry.
When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears.
The arts are what makes life worth living. You've got food, you've got shelter, yeah. But the things that make you laugh, make you cry, make you connect - make you love are communicated through the arts. They aren't extras.
A long time ago, when I was a young dancer in New York City, I fell in love with Jimmy Dean and he fell in love with me.
I love Jimmy Fallon and Jimmy Kimmel.
We went down [Folsom Prison] and there's a rodeo at all these shows that the prisoners have there. And in between the rodeo things, they asked me to set up and do two or three songs. So that was what I did. I did "Folsom Prison Blues," which they thought was their song - you know? - and "I Walk The Line," "Hey Porter," "Cry, Cry, Cry." And then the word got around on the grapevine that Johnny Cash is all right and that you ought to see him.
I only remember a few things about Jimmy Carter. He had big lips and liked peanuts. I now know that Jimmy Carter was and is a good man.
I remember once, we got an interview, and he said, 'Dad, these people are writing about me like I'm an adult. Don't they know I'm a kid?' I have never tried to encourage him to get a music image like other musicians have.
Without Jimmy Dean, the Beatles never would have existed.
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