A Quote by Andrew Lloyd Webber

My love of musical theater was certainly not typical. I mean, it was considered to be very, very abnormal, in fact! — © Andrew Lloyd Webber
My love of musical theater was certainly not typical. I mean, it was considered to be very, very abnormal, in fact!
I've got quite a low voice, so it's not your typical musical theater voice, but I do love musicals; they're a very different experience.
I am very abnormal... But it wasn't very long ago that I wasn't so abnormal. I was very normal and headed for a lifetime of paying medical bills as proof of my normalcy.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
For me, love is very non-academic. Love, it’s a very physical thing. I don’t mean physical in terms of - I mean, it can be sexual. But those moments when I’m aware of the fact that I love someone or love something, it really manifests physically.
I am very abnormal... But it wasnt very long ago that I wasnt so abnormal. I was very normal and headed for a lifetime of paying medical bills as proof of my normalcy.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I mean, musical theater really informed so much of my life. It just so perfectly brings order to chaos, which is why we love theater.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
People comment on the way that I phrase. And in my 20s, I realized, my phrasing is jazz phrasing. I don't comply strictly with musical theater phrasing. Musical theater tends to be very one and three, and jazz is definitely two and four.
I love music, singing, and playing piano (though I'm not very good). And I adore musical theater.
In musical theater you have to be very big and very animated, while film and television are more toned down.
I think musical theater fans - obsessive fans - are very much like Comic Con fans in our personalities. We're very possessive, and we're very obsessive, and we're very critical. So don't screw with our stuff.
I certainly never pictured myself even attending the Academy Awards, much less winning at 56. I very, very happily settled into a theater career. I did more than that, but I let all of my agents and people go. I said, 'I don't want to be promoted in film anymore. I have enough to do in the theater, so I'm just going to carry on.'
I realize I'm a very lucky man. I love what I do, I love films, TV and theater, and the fact that I'm able to make a living at it staggers me.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
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