A Quote by Andrew Lloyd Webber

The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction. — © Andrew Lloyd Webber
The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
I think in the whole field of questions about what we take to be "real," one of those questions is about the self. When you talk about the self we're always talking about whether it's a construction and it's a construction we're always in the process of working on. I don't think that work ever ends, to some degree.
It must have been an extraordinary time. I guess the worrying thing about musical theatre to me, is if you look at the London season this year, mine is actually the only one to have come in.
Opera is musical theatre, and the music can teach you so much about the theatre. Very often I use musical terms to think about how I comport myself on stage: I employ 'rubati,' 'ostinati,' 'cadenze.' Finding these parallels is very fascinating for me.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
Questions about political theatre always overlook America's most powerful and effective political theatre, which is always thriving: the American musical. The politics is conservative but, to my mind, effective and insidious.
I've always loved musical theatre. It's my favorite thing in the world to do.
Obviously musical theatre is not my thing, but dramatic theatre is much more up my alley.
I have a degree in vocal performance, I'm a classically trained singer, and I studied musical theatre.
My father was a classical singer of baroque music, and my older sister was in musical theatre, and I thought about doing the same thing but then realised straight acting was for me.
Musical theatre goes through cycles. I came in when it was at the absolute height of musical theatre as I remember it. It was the age of the long-runners.
It meant the world to see kids excited about theatre. That's the great thing about 'Hamilton' for me is to see young people who wouldn't normally think theatre is cool being really excited about how it works and getting involved.
The thing about rock & roll, and the black leather biker jacket - it automatically creates an idea about what that person might be about, about their musical taste or their attitude.
Even though momentarily I thought about being a doctor, I was always involved in theatre and did a drama degree. I just didn't have the guts to go, 'Yes, I'm going to be an actor,' until I was probably 21.
Got a degree in acting and actually double majored in musical theatre. And then I came straight to New York and started working.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
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