A Quote by Andrew Marvell

How could such sweet and wholesome hours be reckoned, but in herbs and flowers? — © Andrew Marvell
How could such sweet and wholesome hours be reckoned, but in herbs and flowers?
How sweet and gracious, even in common speech, Is that fine sense which men call Courtesy! Wholesome as air and genial as the light, Welcome in every clime as breath of flowers, It transmutes aliens into trusting friends, And gives its owner passport round the globe.
Yes, in the poor man's garden grow Far more than herbs and flowers - Kind thoughts, contentment, peace of mind, And Joy for weary hours.
You could wonder for hours what flowers mean, but for me, they're life itself, in all its happy brilliance. We couldn't do with out flowers. Flowers help you forget life's tragedies.
If the day and night are such that you greet them with joy, and life emits a fragrance like flowers and sweet-scented herbs, is more elastic, more starry, more immortal - that is your success.
There are some books and characters so pleasant, or rather which contain so much that is pleasant, that criticism is perplexed or silent. The hounds are perpetually at fault among the sweet-scented herbs and flowers that grow at the base of Etna.
Every word affords me pain. Yet how sweet it would be if I could hear what the flowers have to say about death!
An album is a garden, not for show Planted, but use; where wholesome herbs should grow.
She wished she had a little yellow house of her own, with a flower box full of real flowers and herbs – pansies and rosemary – and a sweet lover who would swing dance with her in the evenings and cook pasta and read poetry aloud.
The Bourne Underneath the growing grass, Underneath the living flowers, Deeper than the sound of showers: There we shall not count the hours By the shadows as they pass. Youth and health will be but vain, Beauty reckoned of no worth: There a very little girth Can hold round what once the earth Seemed too narrow to contain.
Waters are distilled out of Herbs, Flowers, Fruits, and Roots.
I read somewhere once that souls were like flowers,' said Priscilla. 'Then your soul is a golden narcissus,' said Anne, 'and Diana's is like a red, red rose. Jane's is an apple blossom, pink and wholesome and sweet.' 'And our own is a white violet, with purple streaks in its heart,' finished Priscilla.
I trust you have seen the ocean. If you have, then you have witnessed the divine. How barren the ground is in comparison! If I could count the hours I have spent staring out at it! And yet those hours never feel lost. I cannot imagine how else I could refill them were I given a second chance.
Sweet memory, wafted by the gentle gale, Oft up the stream of Time I turn my sail, To view the fairy haunts of long-lost hours, Blest with far greener shades, far fresher flowers.
In this sequestered nook how sweet To sit upon my orchard seat And birds and flowers once more to greet. . . .
In 'Age of Innocence,' the opening flowers, that's a metaphor for the film, the Victorian veneer with the malevolence beneath it. We attempted to show that with flowers that start as sweet and then slowly become malevolent.
Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer's story tell, Or from their proud lap pluck them where they grew; Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those.
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