A Quote by Andrew McCarthy

In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.
You're always in the mode of creating the next season. It's so fast, and in two months, the collection you just did is already old, and it's always next, next, next.
In many ways, I went through a lot of my adult life thinking about, "What's next? What's next? What's next?," and always having my eye on tomorrow as opposed to what's happening at this moment. That experience forces you to really focus on the moment.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
For the first fourteen years for a rod they do while for the next as a pearl in the world they do shine. For the next trim beauty beginneth to swerve. For the next matrons or drudges they serve. For the next doth crave a staff for a stay. For the next a bier to fetch them away.
I always used to say that I wanted to be the next MTV, the next ESPN, the next CNN rolled up into one, and everyone would laugh at me. But now I think that people are finally wising up because, digitally, you can do that.
Innovation is not a big breakthrough invention every time. Innovation is a constant thing. But if you don't have an innovative company [team], coming to work everyday to find a better way, you don't have a company[team]. You're getting ready to die on the vine. You're always looking for the next innovation, the next niche, the next product improvement, the next service improvement. But always trying to get better.
Children are truly the future of this country - our next teachers, they're our next doctors, they're our next police officers, and they're our next Members of Congress. It's our responsibility to do everything that we can to protect them and make sure that children are able to live, learn, and grow up in safe environments.
[Ocean's Thirteen] is a great group, and it was an opportunity to work with Steven Soderbergh. But mainly? It was shot in L.A. and I want to be next to my kids. So I've been doing everything that has to do with being next to them, close to them.
There is always a way and always hope in the next sunrise, and in the next second, and in the next minute.
I'm a tennis fan, so I like Roger Federer. He's always two or three steps ahead, so he's hitting a shot, but he's also thinking about the next two shots. So I try to be in that frame of mind - to always be ahead.
The Christmas presents once opened are Not So Much Fun as they were while we were in the process of examining, lifting, shaking, thinking about, and opening them. Three hundred sixty-five days later, we try again and find that the same thing has happened. Each time the goal is reached, it becomes Not So Much Fun, and we're off to reach the next one, then the next one, then the next.
I start thinking about the next movie before it's a success, so I can never have one moment of happiness or peace. I'm instantly thinking about the next one.
I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?
I've always moved by my heart. I've moved by the spirit of what I feel was right for me next. I always pray and ask God: 'What's the next thing? What am I supposed to do next?'
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