A Quote by Andrew Motion

But I can't and don't ever want to write bell-yanking confetti-tossing hat-throwing poems. — © Andrew Motion
But I can't and don't ever want to write bell-yanking confetti-tossing hat-throwing poems.
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
I want to write poems which are very emotional, but I would have some hesitation in saying I want to write poems which are sentimental.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
I've had journals ever since I was really little. Sometimes I write poems and stuff, but for the most part I write down what happens to me during the day that I don't want to forget. So I have books filled with little things like that.
It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
I started out wanting to write great poems, then wanting to discover true poems. Now, I want to be the poem.
I'm interested in having fun with ideas, throwing them up in the air like confetti and then running under them.
I write poems for children to help them celebrate the joy and wonder of their world and to look at their lives from the inside out. I write humorous poems to tickle the funny bone of their imaginations.
We all laced together—a brothel madam, an English professor, a mute cook, a quadroon cabbie, and me, the girl carrying a bucket of lies and throwing them like confetti.
Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out.
Forgiveness to letting go of a bell rope. If you have ever seen a country church with a bell in the steeple, you will remember that to get the bell ringing you have to tug awhile. Once it has begun to ring, you merely maintain the momentum. As long as you keep pulling, the bell keeps ringing. Forgiveness is letting go of the rope. It is just that simple. But when you do so, the bell keeps ringing. Momentum is still at work. However, if you keep your hands off the rope, the bell will begin to slow and eventually stop.
I am never a stranger anywhere I go, and it gives me the opportunity to choose my habitat by literally throwing a dart at a globe. The freedom that permits one to feel welcome where ever the hang their hat cannot be overstated.
I believe it's impossible to write good poetry without reading. Reading poetry goes straight to my psyche and makes me want to write. I meet the muse in the poems of others and invite her to my poems. I see over and over again, in different ways, what is possible, how the perimeters of poetry are expanding and making way for new forms.
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