A Quote by Andrew Motion
When you're being looked at very hard, it's very hard to look back. And that made me stop paying attention to the world in a way that allowed me then to write about it.
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I am never much interested in the effects of what I write....I seldom read with any attention the reviews of my...books. Two times out of three I know something about the reviewer, and in very few cases have I any respect for his judgments. Thus his praise, if he praises me, leaves me unmoved. I can't recall any review that has even influenced me in the slightest. I live in sort of a vacuum, and I suspect that most other writers do, too. It is hard to imagine one of the great ones paying any serious attention to contemporary opinion.
I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
But the sensibility of the writer, whether fiction or poetry, comes from paying attention. I tell my students that writing doesn't begin when you sit down to write. It's a way of being in the world, and the essence of it is paying attention.
People who don't know me look at my world as something very hard-core, and I don't feel it that way. It's not what attracts me.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
Poetry is a way of always paying attention to the world for me; a way of letting the world stick to me instead of being anxious or estranged, just being present in the world.
The way I look it is hard to look like a normal person. You know, in the streets when I was a kid, people always said I looked strange, and it made me feel unhappy.
There's nothing attractive about doing a documentary. Nothing. It's hard, hard work, and I find having all the attention of the day on me a very unattractive proposition.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
What's interesting to me is the fact that creatively, I can do anything now and people will pay attention, and if I suck, hopefully they will stop paying attention very quickly, but if I'm good, then I have my foot in the door, and people have paid attention, and I did a good job, and people are like, 'Oh, wow!'
For me, my past characters been hard, the way they died, being murdered, the sadness that goes around, the death. It's a very hard thing to do.
It was hard telling those kids...that I wasn't going to be there this year. And I knew I was going to miss them. I won't have an opportunity to see them again, unless they stop by the house. Now during the summer, I got lots of notes; kids would stop by the house. I'd be pulling weeds or something and they would come up and give me a hug and say, 'Oh, I can't believe it, this is so wonderful!' and just get very excited about it. It was hard not being in school. I would have loved to have gone back to school.
They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.
At one point, when I didn't make the 2007 World Cup squad, I was very, very frustrated. Then I became very hard on myself. Whenever I used to go to the nets, or when I trained in the gym, I was very hard on myself. I couldn't sleep; I used to think a lot. Very, very desperate to make a comeback.
It's hard for me to believe that just my words on the page are enough. I ought to be out physically keeping abortion safe and legal, restoring the Fourth Amendment, getting clean water back into Kentucky since the Bush Administration has allowed strip miners to fill it all up with slag. The list is endless. Bring it down. Make it small. Make it one thing that you can do. It's very hard for me to remember that.
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