A Quote by Andrew Neil

The Sunday paper is an odd British cultural tradition. — © Andrew Neil
The Sunday paper is an odd British cultural tradition.
What is to be done with people who can't read a Sunday paper without messing it all up?... Show me a Sunday paper which has been left in a condition fit only for kite flying, and I will show you an antisocial and dangerous character who has left it that way.
It is Sunday, mid-morning-Sunday in the living room, Sunday in the kitchen, Sunday in the woodshed, Sunday down the road in the village: I hear the bells, calling me to share God's grace.
After 'The Gamekeeper' I made one other film called 'Looks and Smiles,' but making British films was very difficult. There wasn't a tradition of British cinema.
The reason why the British theatrical tradition is world-leading in Greek drama is because there is a flourishing tradition of people rethinking Greek tragedy.
My parents had us in church every Sunday, every Wednesday. It was more of a tradition at that point; I didn't have a personal relationship with the Lord until I went to the altar call one Sunday, and the youth pastor told us to make a decision for ourselves.
We've never adopted Americanisms. We are a very British band from a very British cultural scene. We fly that flag and that is something I enjoy.
I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.
The blues are important primarily because they contain the cultural expression and the cultural response to blacks in America and to the situation that they find themselves in. And contained in the blues is a philosophical system at work. And as part of the oral tradition, this is a way of passing along information.
The British tradition, basically, is to go to the character. And the Hollywood tradition, shall we say, is basically to take the character to the performer.
The tradition has always been that in Roman films, the Romans are always British, and it's usually posh British: Laurence Olivier and his ilk. My take on all this was that it's a metaphor for empire and the end of empire.
I know Im British. I havent spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasnt British, what would I be? I am British.
I know I'm British. I haven't spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasn't British, what would I be? I am British.
This Christianity is not a cultural thing. It is not something that should be just a small part of your life; it is not something that you do on Sunday... Christianity is not about you being just like the world all the time and then coming to church on Sunday. If that is your Christianity... you are not Christian.
The British have turned their sense of humour into a national virtue. It is odd, because through much of history, humour has been considered cheap, and laughter something for the lower orders. But British aristocrats didn't care a damn about what people thought of them, so they made humour acceptable.
Usually, Hmong funerals last several days and our whole family comes together for it. It's a Hmong tradition to fold thousands of little paper boats with silver or gold paper that represent money the person could take into the afterlife, but we couldn't do that because of the coronavirus.
I enjoy playing villains - I'm very proud that I belong to a very honorable tradition of British actors who come to Hollywood to play the bad guys. At some point in American film, I think there was the idea that the British accent had a tone to it that's a little bit naughty.
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