A Quote by Andrew Ng

Animals see a video of the world. If an animal were only to see still images, how would its vision develop? Neuroscientists have run experiments in cats in a dark environment with a strobe so it can only see still images - and those cats' visual systems actually underdevelop. So motion is important, but what is the algorithm?
The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
These are the animals that are the reason why you don't see old animals in the wild. You don't see sick animals in the wild. You don't see lame animals in the wild, and its all because of the predator: the lion, the tiger, the leopard, all the cats.
We do not see the danger clearly enough that we develop images adequate to our state of civilization. When you watch TV, you know instantly that there's something wrong with the images. When you open a magazine and see the ads, you know there's something wrong with the images. And it's unhealthy and not good and outright dangerous, in my opinion.
When I left Haiti, I was eight. I went to the Congo where my father was working. The only images that I had were the images of Tarzan. That's what I thought Africa was. Of course, the first day I arrived there, I thought I would see a lot of savages dancing on the tarmac.
We are finally living in Plato's cave, if we consider how those who were imprisoned within the cave - who could do nothing but watch those shadows passing on the back wall - were convinced that those shadows were their one and only reality. I see a profound similarity to all this in the epoch we're now living in. We no longer live simply through images: we live through images that don't even exist, which are the result not of physical projection but of pure virtuality.
New images surround us everywhere. They are invisible only because of sterile routine convention and fear. To find these images is to dare to see, to be aware of what there is and how it is. The photographer not only gets information, he gives information about life.
I live in New York, and the only live animals you see are cockroaches, rats and pigeons, which I admire immensely. When I see an animal that thrives in the garbage, I feel relief; in our urban environment, other animals are dying out.
We go to the cinema we see images projected on the screen - but they're not real, they're only images.
If you could only see the vision I have. I wish I had your bodies to do this work. I would run from house to house telling everyone of the gospel, and after I lost strength to run I would begin to walk, and after I collapsed from walking, I would begin to crawl, and after my knees were so bloody that I could not use them I would use my arms to drag myself, and once my muscle in my body was gone I would begin to yell…oh, only if you could see the vision as I have.
In 'We Were the Mulvaneys,' animals are almost as important as people. I wanted to show the tenderness in our relationships with cats, dogs, and horses. Especially cats.
You don't see sick animals in the wild. You don't see lame animals in the wild, and its all because of the predator: the lion, the tiger, the leopard, all the cats.
All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?
All cats can see futures, and see echoes of the past. We can watch the passage of creatures from the infinity of now, from all the worlds like ours, only fractionally different. And we follow them with our eyes, ghost things, and the humans see nothing.
Walter had never liked cats. They'd seemed to him the sociopaths of the pet world, a species domesticated as an evil necessary for the control of rodents and subsequently fetishized the way unhappy countries fetishize their militaries, saluting the uniforms of killers as cat owners stroke their animals' lovely fur and forgive their claws and fangs. He'd never seen anything in a cat's face but simpering incuriosity and self-interest; you only had to tease one with a mouse-toy to see where it's true heart lay...cats were all about using people
When we were kids, growing up in the sixties, the only images we had of ourselves were either still photographs or 8mm movies.... Now we have video, digital cameras, MP3s, and a million other ways to document ourselves. But the still photograph continues to hold a sense of mystery and awe to me.
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