A Quote by Andrew O'Hagan
In Britain, the great hidden secret of talking animals and children's literature is how political it was in its bones, beneath the obvious cuteness.
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Oh, it can't be a reference to the fact Harry's a great Seeker, that's way too obvious. There must be a secret message from Dumbledore hidden in the icing!
Love is an open secret, the most obvious thing in the world and the most hidden, with no why to how it keeps its mystery.
There's a difference between children's literature and all-ages literature. One is written expressly for children. The other is written for everyone, including children. And the difference usually manifests in not talking down to kids.
So often when you start talking about kindness to animals someone comments that starving and mistreated children should come first. The issue can't be divided like that. It isn't a choice between children and animals. It's our duty to care for both. Kindness is the important thing. Kids and animals are our responsibility.
[Children are] like talking animals. Their consciousness is so different from ours that they constitute a different species. They don't have to be particularly interesting children; just the fact that they are children is sufficient. They don't know what anything is, so they have to make it up. No matter how dull they are, they still have to figure things out for themselves.
The best entrepreneurs know this: every great business is built around a secret that’s hidden from the outside. A great company is a conspiracy to change the world; when you share your secret, the recipient becomes a fellow conspirator.
I'm kind of a reluctant Anglophile. My mother's a children's librarian, and all of the children's literature I read was from her childhood - E. Nesbit and Dickens, which isn't children's literature at all, but I was sort of steeped in English literature. I thought I was of that world.
Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.
It's not that a literature for children of color doesn't exist; it's that so much of the extant literature is lacking in the essential quality that makes literature for children so extraordinary a form: imagination.
In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one.
Like most qualities, cuteness is delineated by what it isn't. Most people aren't cute at all, or if so they quickly outgrow their cuteness ... Elegance, grace, delicacy, beauty, and a lack of self-consciousness: a creature who knows he is cute soon isn't.
How I saw in her my own true nature. What was beneath my skin. Inside my bones... Even though I was young, I could see the pain of the flesh and the worth of the pain. This is how a daughter honors her mother. It is shou so deep it is in your bones. The pain of the flesh is nothing. The pain you must forget. Because sometimes that is the only way to remember what is in your bones. You must peel off your skin, and that of your mother, and her mother before her. Until there is nothing. No scar, no skin, no flesh.
With the United States in slow long-term decline, how will that affect the position of English? And where will all that leave monolingual Britain? Our political leaders like to boast about how global Britain is, but when it comes to languages, it is near the bottom of the global league, together with another island state, Japan.
I've been going to the same barber the last few years, and we have great chats whenever I'm in the chair. He'll ask: 'How you doing? How's the training going?' Just ordinary, obvious things, but then, like you do with your barber, you start talking about personal stuff.
You have women that are political commentators that are talking about the elections, talking about the news of the day, and really helping shape how information is disseminated. I feel we're reaching a whole new audience, which is great to be able to bring in and encourage other young women to do this.
It's like how science fiction in the '50s was a way of talking about war without actually having to risk any political capital. The obvious metaphor is power and powerlessness, but I also think it's a way of experimenting with dangerous feelings in a safe arena and trying things out.
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