A Quote by Andrew O'Hagan

When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire.
It's easier to floss with barbed wire than admit you like someone in middle school.
If the story's there for it, if there's a reason for it, then I'm all for it. But if you throw in a barbed wire match just to do a barbed wire match, then it makes no sense to me.
Look, dear! How adorable. When pop music tries its very hardest, it can be almost as good as Sven Hassel.
Information is the oxygen of the modern age. It seeps through the walls topped by barbed wire, it wafts across the electrified borders.
All this Americanising and mechanising has been for the purpose of overthrowing the past. And now look at America, tangled in her own barbed wire, and mastered by her own machines.
When I reached Fort Binjemma, for example, where my grandfather was stationed for a while, the whole Victorian fort was decaying. Barbed wire surrounded it, spray paint on the ancient walls claimed it as private property, and the moat where my grandfather and his men had grown crops - in desperation as the siege's hunger bit - was completely overgrown with bushes and trees.
I am a writer (and one day I'll be an author). For a long time I was a bookseller (who wrote) or a TV producer (who wrote), but for the last decade or so, its been "writer."
Possibly everyone will travel by air in another fifty years. I'm not sure I like the idea of millions of planes flying around overhead. I love the sky's unbroken solitude. I don't like to think of it cluttered up by aircraft, as roads are cluttered up by cars. I feel like the western pioneer when he saw barbed-wire fence lines encroaching on his open plains. The success of his venture brought the end of the life he loved.
When I was growing up, I had no idea that I could possibly become a writer. I wrote endlessly in journals - a practice I maintained for a long time, well into the writing life I had no idea I could ever have.
My second epiphany came as an intern at the Carnegie Endowment for International Peace. The man I worked for was consumed with what was going on in Bosnia. And the more I knew [about it] the more saddened I was. There were these images of emaciated men behind barbed wire.... It was like, I've got to find a way to do something.
All anyone really needs to know about barbed wire is that it can tear the arse out of your trousers, give a cow a good fright, entangle a Yorkshire terrier for life, and is nasty stuff made by greedy men.
I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book.
Vera Caspary wrote thrillers - but not like any other author of her time, male or female. Her specialty was a specific type that she pioneered - the psycho thriller.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
When I was growing up, a lot of books affected me, but I never wrote letters to the author or anything like that. I'm always mindful that there are probably a whole bunch of people reading my books like that, too.
I don't want to be a negative piece of barbed wire sitting up in the booth with all the answers. I think that's a turn-off.
This site uses cookies to ensure you get the best experience. More info...
Got it!