A Quote by Andrew O'Hagan

When I was very young, I thought the theatre was a place where higher beings went about their celestial business, as if they knew nothing of ordinary life and its political mysteries.
I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
Theatre is a concentrate of life as normal. Theatre is a purified version of real life, an extraction, an essence of human behaviour that is stranger and more tragic and more perfect than everything that is ordinary about me and you.
But I grew up in a place where no one knew anyone in the entertainment business, I never knew it was an actual career. The closest I ever got to movies was going to watch them, and I thought that's the way it would be, so I never considered working in this business.
Human beings go to church. The guy in the front dressed in black is the guy you defer to. He is in charge of the mysteries of universe, which ordinary human beings don't seem to have the inclination to understand.
If you go to a place of power, the beings are higher, magnificent beings of light. They are not from our world. They pass through it, the place where dimensions touch, where there are many worlds present.
Since I knew wrestling was all choreographed, I thought, Oh, they don't get hurt at all. But I walked away with a renewed respect for the sport. Because I was very ignorant before - I knew nothing about it.
Political Economy or Economics is a study of mankind in the ordinary business of life.
You've got a generation of young men - almost all are young men - in situations of great economic hardship, where they don't really have work. The chances of them making a decent life for themselves, of making a family, living in a kind of decent, happy way, are very, very remote. It's very hard for them to ever even have that as a dream, so when people are that deprived of the ordinary hope of human beings, it creates anger. And that anger can be channeled by unscrupulous persons, whether secular or religious leaders, and there's been a lot of that.
'Black Watch' has taken its place in the canon of Scottish theatre, and that's fantastic. It's a very particular kind of theatre. It's about the music, the movement, the whole 'event' of it.
You see yourself as very average, ordinary. And there is nothing ordinary about you, Rachel." (Something Borrowed)
A philosopher knows that in reality he knows very little. That is why he constantly strives to achieve true insight. Socrates was one of these rare people. He knew that he knew nothing about life and about the world. And now comes the important part: it troubled him that he knew so little.
I knew I wanted to act from a very young age - from about nine, really - but I didn't know how to go about it. I had no idea. The world was a much bigger place then.
I got everything I wanted. When I was young in Kansas City, I knew nothing about Frank Sinatra, Billy Eckstine, Ella Fitzgerald, of all those concert halls, of all those countries. I did not know what it was like to direct a band... All I wanted was to be big, to be in show-business, and to travel...and that's what I've been doing all my life.
If you are a very ordinary human being, nothing affects you, nothing bothers you, and nothing troubles you. That's how I live my life.
I knew it,’ she says. ‘I knew I had met you before. I knew it the first time I saw your photograph. It’s as if we had to meet again at some point in this life. I talked to my friends about it, but they thought I was crazy, that thousands of people must say the same thing about thousands of other people every day. I thought they must be right, but life… life brought you to me. You came to find me, didn’t you?
The first time I stepped on stage in the local theatre I knew what I needed to do - I knew I had found the right place to be.
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