A Quote by Andrew O'Hagan

I've been asked which of the other arts novel-writing is most like, and I have come to believe it is acting. Of course, in terms of pattern it can be like music, in terms of structure it can be like painting, but the job to me is most like acting.
I feel like what's most important for painting - which has been hierarchically on the top for a really long time in terms of what is considered fine art, by comparison with something like a comic book or what's considered low art - is that painting should open up laterally to include other cultures and things that don't immediately resonate as a painting but are obviously of equal contribution to the genre.
I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.
Acting is such a personal thing, which is weird because at the same time it's not. It's for the consumption of other people. But in terms of creative outlets and expressing yourself, it's just the most extreme version of that that I've ever found. It's like running, it's exertion.
After 'Rock On!,' when I started acting, and I sang in the film, people asked me, 'What was the need to sing in your film?' and things like that. I really don't have an answer for it. In terms of what made me do it? It just felt like the right thing to do.
I've always loved to write. I've been writing a lot longer than I've been acting, and I hope to continue to do that and maybe do it a little bit more in terms of, like, writing movies that I could potentially act in.
We live in a very special time right now. At no other time in history has there been such mass disillusionment in terms of reliance on governing functions. Most people don’t want to come to terms with that. It’s been proven over and over again that the emperor isn’t wearing any clothes, but most people don’t like to look at naked emperors. In the process of turning around to avert their eyes, they saw the discotheques and a few other things and latched onto them.
I have other careers in terms of stand-up, stage acting and writing, so I don't feel too hidebound by that, but I do quite like playing those warm roles.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
Actually, I was writing as I was acting - it was kind of simultaneous. I wrote on 'E20', which started this whole 'EastEnders' journey. It's not like I was writing and then I got into acting - they have always been kind of together for me.
I like both music and acting, and they both have a lot in common - timing, immediacy, stuff like that. But acting is more regimented. You wait around for hours, you don't get to write the script, you get hired. Music represents me better. I'm not acting; I'm just expressing myself.
The real questions are the ones that obtrude upon your consciousness whether you like it or not, the ones that make your mind start vibrating like a jackhammer, the ones that you "come to terms with" only to discover that they are still there. The real questions refuse to be placated. They barge into your life at the times when it seems most important for them to stay away. They are the questions asked most frequently and answered most inadequately, the ones that reveal their true natures slowly, reluctantly, most often against your will.
I can't even tell anyone how it feels when I'm acting, I don't mean to say that I don't have to try. But there's something in my heart that explodes, and I feel like I understand. When I'm acting, I feel like so in control and so centered. This is something that I solely get from acting and music. It's like love itself.
I always tell people that, if you feel like you're portraying a character really well, you're not acting. If you can reach that point where you don't feel like you're acting, than you're doing your job and the audience will believe you.
What I really like is the marriage of both [writing and acting] - for instance, with Postcards. I don't actually act in it, but I worked on it with Mike [Nichols] as I went along, creating the character, so it was a bit like acting for me.
For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.
I prefer to not be feeling like I'm having to be fake about things that are the most dear to me in terms of writing, which is something related to my own, personal writing. I mean, I've done tons and tons of fake writing.
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