A Quote by Andrew Pyper

I'd read 'Paradise Lost' as an undergrad at university but remembered little about it. No, not true: I remembered few details, but carried with me with the persuasive arguments and pitiable dilemma of its arguable protagonist, Satan.
The remarkable thing is that it is the crowded life that is most easily remembered. A life full of turns, achievements, disappointments, surprises, and crises is a life full of landmarks. The empty life has even its few details blurred, and cannot be remembered with certainty.
My work is known by too few people for me to be remembered as a writer - that is, beyond those dedicated souls (bless them) who have followed the oeuvre through its various stages. To be realistic, when they and the last of my friends have died, I doubt I shall be remembered at all.
I was once again looking for a book idea, and I remembered Holmes, but I specifically remembered that there was this World's Fair thing in the background. I thought, 'I'll read about the fair.' I had nothing better to do. I'd dismissed about a dozen ideas, and I was getting sort of antsy. I started reading, and that's where I got hooked.
Recently I gave a lecture and a gentleman came to me and asked how I'd like to be remembered, i'd never been asked that before, so I thought for a few seconds. And I said I want to be remembered that I had a great love for my fellow man.
Most of us will be remembered, in work and in life, for just a few words or deeds that made a difference to others. The way we choose to say good-bye is likely to be one of the ways we are remembered.
I wanted to write the kind of poetry that people read and remembered, that they lived by - the kinds of lines that I carried with me from moment to moment on a given day without even having chosen to.
I don't think I'll be remembered in a big Michael Jackson, Led Zeppelin way. I think I'll be remembered in this way: by the people who were there, who can't capture or explain it. I'm not trying to brag or anything. It's not about me. It's about facilitating a good time for everyone.
People say, "How would you like to be remembered?" I don't want to be remembered. Gimme a break. What I want is to hear what's great about me now. Let me hear it! In the box you don't hear these eulogies.
A broken leg can be remembered and located: "It hurt right below my knee, it throbbed, I felt sick at my stomach." But mental pain is remembered the way dreams are remembered-in fragments, unbidden realizations, like looking into a well and seeing the dim reflection of your face in that instant before the water shatters.
I don't think I've done any profound work yet... People ask me, 'How would you want to be remembered?' I tell them I don't want to be remembered! I'm not here to become a Madhubala or receive a Lifetime Achievement Award. I'm not that kind of a person. And I'm not brash about it; it's just the way I am.
Do you know-I hardly remembered you? Hardly remembered me? I mean: how shall I explain? I-it's always so. Each time you happen to me all over again.
What I will be remembered for are the Foundation Trilogy and the Three Laws of Robotics. What I want to be remembered for is no one book, or no dozen books. Any single thing I have written can be paralleled or even surpassed by something someone else has done. However, my total corpus for quantity, quality and variety can be duplicated by no one else. That is what I want to be remembered for.
I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I just want to be remembered as a poet that was open and honest because I wake up every morning and I'm me.
You cannot only be remembered by scoring goals; you want to be remembered by winning trophies.
It would be nice if I was remembered at all. I don't really care about being remembered. I just want to enjoy my life today and do my best while I'm here. I'm not that ambitious, other than to have a good life now.
Civilizations are not remembered by their business people, their bankers or lawyers. They're remembered by the arts.
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