A Quote by Andrew Pyper

If the hairs on my neck stand up while I'm writing, I figure the reader will get the same kind of shock. — © Andrew Pyper
If the hairs on my neck stand up while I'm writing, I figure the reader will get the same kind of shock.
If the hairs on my neck stand up while Im writing, I figure the reader will get the same kind of shock.
The hairs stand up on the back of my neck at certain music.
I think most people, even if they say they hate horror movies, there's that feeling you get inside that you love. I mean, I love it. I love to have the hairs on the back of my neck stand up or get that chill up my spine.
For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.
I attend Internet conferences all the time, and they literally make the hairs on the back of my neck stand up.
What I'm trying to produce is the visual equivalent of the chord change that makes the hairs on the back of your neck stand up.
I started out being a stand up and writing my own material. That took me to Talk Soup, where I was writing and performing for TV. So everything is all the same job in my eyes, and I don't want to ever give up any part of it. I will say that stand-up is my first love; it's how I got started and is in my bones.
When I hear the bagpipes, it makes the hairs on my neck stand on end. It always makes me weep.
It's fun to figure out a way to make something happen that will get the reader involved on a visceral level. When written well, an exciting scene on the page will actually have a physical effect on the reader - your heart will beat faster, your adrenaline will start to flow.
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.
You've got to be a good reader. So whatever genre that you're interested in, read a lot of books about it and it's better than any kind of writing class you'll ever take. You will absorb techniques and then in a lot of cases you can just start writing using the style of the book or the author that you admire and then your own style will emerge out of that. Be a diligent reader and then try to write seriously, professionally and approach everything in writing in a professional way.
I'm riddled with cynicism. Whenever anyone says 'trust me,' the hairs go up on the back of my neck.
For writing stand-up, I have to have a little bit of anger and frustration to be motivated to do it. Stand-up, for me, comes from kind of a hostile engine.
The reader's ear must adjust down from loud life to the subtle, imaginary sounds of the written word. An ordinary reader picking up a book can't yet hear a thing; it will take half an hour to pick up the writing's modulations, its ups and downs and louds and softs.
What helped me a lot is the fact that I have a very short neck. If I had a neck like a stack of dimes, you can bet I couldn't take a good shot. But the fact that I had a short neck and worked on it a lot (as opposed to most fighters who don't work on their neck muscles) definitely helped. I would stand on my head against a wall and move my head back and forth, side to side, for half an hour or so while talking on the phone.
It's not like you take the right turning and you get everlasting happiness and you take the wrong one and your life's a disaster. In real life it's often impossible to tell which decision is the one you should make because what you stand to gain and what you stand to lose are sometimes-often-neck and neck.
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